In lockdown isolation, a young man decides to stay in contact with the outside world through the vocal messages of his friends and lovers. But those voices, which initially seemed to fill the silence and keep him company, become increasingly full of suffering.
In lockdown isolation, a young man decides to stay in contact with the outside world through the vocal messages of his friends and lovers. But those voices, which initially seemed to fill the silence and keep him company, become increasingly full of suffering.
2020-11-21
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Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.
Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside.
The Worth Family has been divided for years but when the matriarch, Grandma Mabel dies suddenly, the family has to come together. The story of Family Squares takes the Worth Family on a journey discovering that not only did Grandma Mabel keep some secrets, so did everyone else. They find their way back to each other and realize that while you can’t choose your family, you can choose to be friends with them.
A murder has happened at the time of COVID, and the female cop is on duty to find the murderer.
COVID-19. The whole world is in Lock Down. There is panic in society. What is going on? Is this actually about our public health?
What's it like starting a family when you're both transgender? This intimate film follows Hannah and Jake Graf on a journey through prejudice and surrogacy to birth during lockdown.
Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?
Caleb, a coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.
Strangers June and Charlie wind up double-booked in the same upstate New York Airbnb during the start of COVID-19. Exasperating the situation, the lockdown forces them both to stay and confront the unexpected feelings that develop between them.
Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.
Twelve Mexicans, scattered across different cities worldwide, capture their personal experiences during the early days of the 2020 pandemic lockdown. With only the resources at hand, they document their daily lives, reflecting the uncertainty, confusion, and anxiety that marked this unprecedented moment in history. From the relative comfort of isolation at home to the vulnerability of those at risk of losing their jobs or fighting the virus on the front lines.
Gabriel (played by Dan Claudino) is a depressed young man living a reclusive and lonely life, shaken by memories of a very turbulent past. Amid the corona-virus pandemic that is ravaging the world, Gabriel finds refuge in his passion for video games and decides to start a modest career in live broadcasts on the internet. With his shy personality, he creates a community of online fans who connect with his inspiring messages of perseverance and authenticity. As Gabriel shares his personal journey and encourages his viewers to face their fears, he becomes a source of hope for many, especially one young follower who, inspired by her words, finds the strength to report her attacker. As his stream views increase and positive comments flood his channel, Gabriel finds a sense of purpose, fulfillment, and courage he never imagined.
As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.
A husband and wife are forced to re-evaluate themselves and their relationship through the reality of the Covid-19 lockdown.
Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.