Caravagyo(2019)

She's Beautiful When She's Angry(en)

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

Queercore: How to Punk a Revolution(en)

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Prom Party Massacre(en)

A gay high school student throws a swinging prom party in the hopes of finally wooing the football captain - but when popular kids start turning up dead, the partygoers discover a slasher killer amongst the student body!

Lesvia(el)

Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.

Moi, agricultrice(fr)

The Weight of Sight(no)

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

Escape From Rented Island: The Lost Paradise of Jack Smith(en)

In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.

The Babysitter(en)

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

Cree Way(en)

This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.

Making Dust(en)

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

British Sounds(en)

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

so many lives, one story(es)

Testimonies about the social and feminine marginality of female residents. The need to face problems through collective discussion. Filmed in a camp in Ochagavía.

Acts of Reparation(en)

Two friends, one Black and one white, journey to their Southern ancestral homes, exploring reparations' meaning. Their travels uncover opportunities that transform their bond, communities, reclaiming and reckoning with their roots.

Yours in Sisterhood(en)

What might be revealed in the process of inviting strangers to act out and respond to 1970s feminism forty years later? Between 2015 and 2017, hundreds of strangers in communities all over the US were invited to read aloud and respond to letters from the 70s sent to the editor of Ms. Magazine–the first mainstream feminist magazine in the US. The intimate, provocative, and sometimes heartbreaking conversations that emerge from these spontaneous performances make us think critically about the past, present, and future of feminism.

Caro Comes Out(en)

Caro Comes Out is a queer torture experiment, but also a comedy, but also a short film about coming out to your entire Cuban family.

Tuan Spies(id)

Through this essay film, spectators will experience what has happened to Bali Island (projected as a Mother) and her child (Balinese people) in the last couple of years. Walter Spies acts as a figure who will receive this love letter from Bali Island. Walter Spies' impact on Bali tourism was like two sides of a coin, contradict each other between the good and the bad. Bali Island is lost to an abandoned premise with Spies' death, make her need to face this exploitation alone. She needs to survive the torture due to touristic commercialization.

Suzanne Lenglen, the court of liberty(fr)

Having won 250 tournaments, including 83 without losing a single game, 3 Olympic medals, 6 Wimbledon titles and only suffered 7 defeats, Suzanne Lenglen (1899-1938) left an indelible mark on world tennis. Away from the court, the French tennis player was also a feminist icon and talented writer.

Tomatoes(en)

Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.

Three Lives(en)

Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.

Sickert vs Sargent(en)

Sickert vs. Sargent brings to life two of the biggest characters in modern British art; Walter Sickert - the gruff, aggressive man-of-the-people; and John Singer Sargent - the urbane and charming dandy. The film focuses on some of the most beautiful and alarming paintings ever made in this country; pictures of aristocrats and prostitutes, coronations and killings, opera houses and music halls, and will evoke the long-lost atmosphere of Edwardian London. But above all it will show that from their two outposts in Chelsea and Camden, Sickert and Sargent were waging a war whose legacy still haunts us today.