Don Quixote, accompanied by Sancho Panza, wander the roads of Spain protecting the weak and doing good deeds in the name of his beloved Dulcinea. (Orson Welles' Don Quixote was filmed between 1957 and 1972, left unfinished at his death in 1985, and was eventually edited by Jesús Franco and released in 1992.)
In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.
The beloved American musical that brought us “The Impossible Dream” turns its lens on modern love and society, especially as brought to the Playhouse stage by director Mark Lamos in our award-winning 2018 production. In this play within a play, Cervantes has not yet finished his manuscript for Don Quixote—he sits in jail awaiting trial during the Spanish Inquisition. Fourteen actors portraying Cervantes and his fellow prisoners bring to life the great odyssey we all know of a questing knight tilting at windmills and battling for the love of the fair maiden Aldonza.
A new vision of the Knight of the sad figure, which lives obsessed by the chivalry and its codes of honor. Accompanied by his unusual squire Sancho Panza, Don Quixote recalls some of the adventures they've shared.
London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.
An epic journey through Don Quixote's troubled mind, from which five paths to the unknown are opened: to reason, to freedom, to love, to friendship, to adventure; although only three destinations await at the end of an imaginary and audacious existence: the narrative of the adventurous life of Cervantes; the survival of a legendary novel in these heathen times, when the one-armed gentleman is nothing but dust and bones; the memory of the living, writers and scholars, where both the tormented captive and the insane hero, are immortals beings and will be forever.
When it comes to interventions, it turns out the third time is not the charm.
It is the story of a foreign reporter who accompanies Kurdish rebels (Peshmerga) forces reporting on their national movement against the former dictatorship in Iraq. The government is informed about this and attacks the mountainous area to arrest her. What will the Peshmerga do?
While preparing for a show, a rock band called Retail breaks into an argument about the importance of art versus the importance of money.
Fernanda Paes Leme (herself), a famous actress and TV personality in Brazil, feels overwhelmed and unaccomplished despite her thriving career. Just as she decides to play a Hamlet adaptation to find a lost sense of meaning, she has her social media accounts stolen by an identical doppelganger. Business flourishes as a quarantined Fernanda investigates who stole her identity and why, as she tries to redefine herself personally and professionally.
In this mockumentary, high school senior Matthew Reese documents the final day of the first semester.