Antropofagia Marginal(2020)

Fulano de Tal(pt)

Sangria(pt)

Perifericu(pt)

Luz and Denise grow up in the midst of the adversities of being LGBT in the extreme south of the city of São Paulo. Between Vogue and poetry, from church to city access. The dreams and uncertainties of youth flood their existences.

Aliens do terceiro mundo e o sequestro de Dona Irene(pt)

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

Mangúe-Bangúe(pt)

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

Never Stop on the Highway(pt)

In Brazil's countryside, Amanda tries to get her first show while Thamires tries to make her first film, both at risk of the highway.

Escândalo em Vermelho(pt)

A Morte do Brasil(pt)

The Ridiculous(pt)

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

E Por Falar em Saudade...(pt)

Morra.com(pt)

'Morra.com' reveals the strength and importance of marginal cinema in the 60s and 70s. In the film, the cardboard collector dreams of becoming a filmmaker and producing a film, while uncovering a crime that occurred in ”Boca do Lixo” .

Cocoon(pt)

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025

Sexta-feira da Paixão, Sábado de Aleluia(pt)

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Capturing Water(af)

Capturing Water delves into Cape Town’s escalating water crisis, a growing emergency in recent years. As pollution of natural water sources worsens and industrial and urban developments threaten access to clean water, government responses remain inadequate.

Watch You Rise(en)

Follows Isabella Grace Cohn as she works to understand and expose the roots of sexual harm — her peers’, her mother’s, and eventually her own. Along the way, she meets diverse survivors, perpetrators, and experts. Together they explore the cultural, educational and legal gray areas that fuel the cycle of harm in a quest for hope and transformation.

Oldemors reise(no)

Kvendetektivene(nb)

Under en annen himmel(nb)

This Is My Body(fr)

Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.