Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.
Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.
1928-10-13
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A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Millionaire Joshua Barker insists that his daughter, Faith, must marry Phil Langhorne, a man that neither likes, and Faith is in love with and eager to marry her childhood sweetheart, John Temple.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
A prosperous small-town peddler accedes to his family's wish to move from their secure existence to the uncertainty of New York City. It proves fruitless and eventually his kin sees the error of their ways and return to their true home.
A dancer in a girlie show plots revenge when a judge orders her show closed.
The "Bulldozer", a former football star, is now working as a fisherman. As a group of street-people arranges a football match against the local Armybase, he is asked to be their trainer. His boat was damaged by a submarine and he currently has no work, so he agrees.
After 6 years together, Mike's girlfriend leaves him, so he travels to LA to be a star. Six months on, he's still not doing very well— so a few of his friends try to reconnect him to the social scene and hopefully help him forget his failed relationship.
The Football Factory is more than just a study of the English obsession with football violence, it's about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo Saxon males fed up with being told they're not good enough and using their fists as a drug they describe as being more potent than sex and drugs put together.
Rick Riker is a nerdy teen imbued with superpowers by a radioactive dragonfly. And because every hero needs a nemesis, enter Lou Landers, aka the villainously goofy Hourglass.
Coddled by his maiden aunts and apparently unable to make decisions, Oliver Wendell Blaine signs up for a mail-order course in "Success." Oliver follows the instructions step by step, builds his self-confidence, and proves himself a hero when a log jam threatens the town. He is made river boss and marries Phyllis Thorpe, daughter of the owner of the lumber-mill.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."
Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.
Chorus girl Patsy Shaw crashes a high-society party, meets playboy Charlie Breen, they fall in love, and are on their merry way to wedded bliss. However, Charlie's snobbish, ever-loving mama doesn't think that Patsy is worthy and sets out to prove it.
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.
Theatrical manager Isaac Shuman has a reputation for "taking advantage" of young girls who want to become stars on Broadway. Reporter Tom Warder investigates these stories and exposes Shuman in his newspaper.