Worlds Apart(2020)

Cars Without a Home(cs)

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

El jardín de las delicias(es)

2012: Time for Change(en)

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

6-18-67(en)

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Meuthen's Party(en)

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

Věděli si rady(cs)

Burma War Record(ja)

This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.

Aungyami(ko)

Korean Jinbae Choi receives photos and videos from Myanmar, and they show the devastation in his neighbourhood. The people of Myanmar asked him to show the world what was happening in their land. A month before Choi received the photos, a coup d'état took place in Myanmar.

Ta'ang(my)

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

The Emperor(en)

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

Myanmar Diaries(en)

How does it feel to be forgotten by the world? A powerful collective cry denouncing the crimes of the military dictatorship installed in Myanmar after the coup perpetrated on February 1, 2021: cinema and imagination against horror and in defense of freedom.

Mergui(en)

Using nature shots with narration and a musical score, this documentary tells the story about the Moken, Myanmar's last sea nomads.

80.000 Schnitzel(de)

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

Voice Over the Bridge(en)

For the first time, traditional Burmese singers Khing Zin Shwe and Shwe Shwe Khaing are recording an album that introduces people around the world to the Maha Gita (Great Songs), which have been sung in South Asia for 700 years. They also introduce viewers to life in Myanmar, a Buddhist country of great beauty.

Varga(sk)

Sonia Maletzová's documentary film portrait follows the legend of the Czechoslovak music scene, rock keyboardist Marian Varga (1947-2017), at the end of his life, when he was diagnosed with a terminal illness. It captures the great introvert and avid smoker during his last performances, when he slowly began to lose his breath.

Manifest(da)

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

We Were Kings (Burma's Lost Royals)(en)

In 1885 the British army invaded Burma and deposed its King. He died in exile, ending a thousand years of monarchy. The royal family vanished, and the country was plunged into war and the longest military dictatorship of modern times. But after a century of silence they are back, and they're on a journey to bring the family - past and present - back together. Filmed through three years of seismic change in Burma, this is the story of a family and a country emerging from the darkness.

Last Knights of the Right Side(pl)

Although they look almost identical in black balaclavas, they have arrived at extremely right-wing views along very different paths. For six months Michał Edelman documented the activity of the National-Radical Camp brigade from Łódź ranging from propaganda events including an obligatory barbecue through attempts to disrupt the Gay Parade in Radomsko to the culmination on the Independence Day in 2019 when they marched along the streets of Warsaw. Are the nationalists really a group of friends with clear-cut views only?

Aeon(en)

Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.

heroes(en)

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.