The Rebel(2011)

Nous vengerons nos pères(en)

Their names are Chorowicz, Cyroulnik, Glichtzman, Feldhandler... They were born in France, after the second world war. Their families came from Central and Eastern Europe in the 20s and 30s, fleeing antisemitism and poverty. After the Holocaust, they grew up among ghosts, between anger, a desire for vengeance and a will to change the world. In the 60s and 70s, they became activists. Through their personal stories and the tale of their internationalist and antifascist struggle, the movie shows the audacity of those years of dissent.

Spain(ru)

A feature-length documentary based on film reports from the Spanish civil war.

Rocío(es)

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

Heroic Spain(es)

Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).

Romancero marroquí(es)

The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.

Propeler - subkultúry mládeže(sk)

The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.

Ritratti: Luigi Meneghello(it)

Marco Paolini interviews Luigi Meneghello about growing up under fascism, his involvement with the Italian resistance movement, his later self-exile, acclaimed literary work and its relationship with dialect.

The Antifascists(sv)

A low-intensity war is being fought on the streets of Europe and the aim is on fascism. This critically acclaimed documentary takes us behind the masks of the militants called antifascists. In 2013 a group of armed nazis attacks a peaceful demonstration in Stockholm where several people are injured. In Greece the neo-nazi party Golden Dawn becomes the third largest in the election and in Malmö the activist Showan Shattak and his friends are attacked by a group of nazis with knives and he ends up in a coma. In this portrait of the antifascists in Greece and Sweden we get to meet key figures that explain their view on their radical politics but also to question the level their own violence and militancy.

The Exiles(id)

During the 1965 mass killings to eliminate the Indonesian Communist Party, the new regime banned scholars in the Soviet Union and China, forcing them into exile across Europe. This documentary follows those displaced individuals as they navigate the Netherlands, Czech Republic, Sweden, Germany, and Indonesia, reflecting on the traumatic events that uprooted their lives.

The American Question(en)

An 8-year journey into divided America, The American Question examines the insidious roots of polarization and distrust through past the past and present, revealing how communities can restore trust in each other to unite our country.

Contracampos(es)

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

Occupation, the 27th Picture(hr)

We encounter the controversial Croatian film director Lordan Zafranovic in voluntary exile in Prague. The film follows his rise from a talented outsider to the celebrated Yugoslav director of the acclaimed war film, 'An Occupation in 26 Pictures'. His life story is an unconventional depiction of a rise and fall that reveals compromises made in order to survive artistically during communism, as well as the missed opportunities and miscalculations that led to his inability to adapt in later years. Is the charismatic Zafranovic a national traitor or a victim of historical circumstances in which the only thing he wanted to do, in his own words, was to be himself and make films?

Cartas(es)

Europe by Bidon(fr)

Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.

R31(es)

The Island(es)

Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.

L'Exode(fr)

Galoot(en)

A film essay by Asher de Bentolila Tlalim, an Israeli filmmaker living in London, GALOOT ("Exile" in Hebrew) is an extended meditation on the Israeli-Palestinian conflict through the eyes of those living at a distance. Through international visits (London, Israel, Morocco and Poland) and dialogue-with Palestinian refugees, the new immigrants to Israel who now occupy their homes, the current occupants of his family's former house in Tangiers, the residents of the former village of his wife's family in Lisensk, a scientist, a jazz musician, and others-the filmmaker explores the position of exile, with its unique pain and perspective on what others may be too close to perceive.

Det siste vitnet(no)

Bandite(it)