Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.
Himself
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
An unfinished film is passed along from one friend to another. The dialog between them is a journey crossed by the swarming of the Great Eastern Brood X of periodical cicadas that prophetically emerge every 17 years in the United States, invoking a reflection of a post-pandemic present and our shared futures. A road movie composed of a chorus of voices (both human and non-human), the warnings of history, the power of nature and rebirth.
Unfinished early documentary by Ulrich Seidl about a foto shooting with Sonja Kirchberger and Peter Baumann at the Tunisian seaside.
ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.
A short that follows the legend of Wilhelm Gorkeit of Tellikon (William Tell), the legendary archer and hero from Switzerland.
A woman is brutally raped by four men, and she plans to seek vengeance. After five years, she hasn't gotten over it yet, and she and her friend are again raped by four men. This time, she tracks them down and finally has her revenge.
Detective Harry Hole investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous looking snowman.
The Adventures of Pinocchio (Italian: Le avventure di Pinocchio) was an Italian animated film directed by Raoul Verdini and Umberto Spano. Created and produced by Cartoni Animati Italiani Roma (CAIR) and distributed by De Vecchi, this cartoon was based on the famous children's book The Adventures of Pinocchio by Carlo Collodi. The film was intended to be the first animated feature film from Italy, but was never completed; if the film was finished, it also would have been the first cel animated feature film ever, beating Snow White and the Seven Dwarfs, and the first animated film adaptation based on the novel of the same name, It is now considered lost: only the original script and a couple of still frames are all that survived of the film. Currently considered a lost film.
Excerpts from an unfinished 1976 zombie-western anthology film by Wes Craven, in the style popularized by Amicus films, which were given an official home video release with The Last House on the Left, and placed in sections of an American version of the Italian film, Zombi Holocaust.
Cinematic fairy tale and adaptation of the story "Ochesel and Balaior" by Marin Iorda. The story of two brothers that are diametrically opposed who, as children, go in search of the Enchanted Fortress.
Mid '80s slasher with teens being picked off one by one by a masked killer.
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
A bunch of British working class amateur filmmakers with nothing left to lose tackle one of Hollywood's greatest musicals in order to save their beloved Club. Britain’s oldest amateur filmmaking club struggles to survive, as its members grow old amid flickering memories and hardships. In the northern industrial town of Bradford, England, a handful of diehard amateur filmmakers desperately cling to their dreams, and to each other, in this warm and funny look at shared artistic folly that speaks to the delusional dreamer in us all.
Containing exclusive material and interviews, "Bios" dives into the history of Brazilian rock band Titãs. TV host Sarah Oliveira looks back at the band's formation in a São Paulo school and their breakthrough hit "Sonífera Ilha", as well as Titãs' moments of crisis. Also included is footage of the band's performance at the SESC Pompéia music hall, some 40 years after their first concert.
Subjects of Desire is a thought provoking film that examines the cultural shift in beauty standards towards embracing (or appropriating) Black aesthetics and features, deconstructing what we understand about race and the power behind beauty.