Spring and Winter(1996)

I've Soiled Myself Again(en)

A man is confronted by parallel versions of himself as he contemplates his life choices.

DARKMAN(en)

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Vincent Gallo as Flying Christ(xx)

Tokyo Cabbageman K(ja)

A young man wakes up one morning to find that his head has transformed into a large cabbage. He quickly becomes a source of bemusement, desire and hostility to all those around him.

Environmental Training(pt)

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

Lolita Separates(sv)

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

Lemonade Stand-Off(en)

A sunny day at the park becomes a duel to the death when two lemonade sellers turn to guerrilla warfare in a battle for customers.

Selva. A Portrait of Parvaneh Navaï(fr)

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

Time Theorem(es)

The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.

Between the Sunset and the Sea(en)

On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.

Where Evil Dwells(en)

Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.

The White Stripes: Under Blackpool Lights(en)

Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"

Bad Blood(en)

"A Brutalist film-poem about the nature of a family tree and the macabre ancestral tales that work their way into your identity, whether you like it or not. A collaborative work that blends the poetry of Adelle Stripe, the music of C.A.R., and my hand-processed Super 8 imagery." — M.J.

Night Lunch(en)

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Lost Boundaries(en)

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Aznavour by Charles(fr)

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Untitled #1(xx)

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

Brutalist Couture(en)

Hieronymus Rivera (Jonathan Rosado), a strong force in the New York fashion underground, is offered the deal of a lifetime by Cecilia Meadows (Jessica Shepherd), a government official who is the head of a new secret program called DAFTCA. What begins as a simple agreement to design uniforms for the organization, soon finds Hieronymus in the center of a vast web of conspiracy.

St. Mark’s School "Go Lions Go!"(en)

A documentation of the year of high school of 1970 to 1971 for students and teachers alike at the St. Mark prep-school community, from the 'weird drama and film students', to the most infamous teachers of the year like Mr. Burns and Mr. Whatley, along with many references to music and film of interest at the time; Consistently from the perspective of an intrusive senior, according to Mr. Whatley, "had the worst case of senioritis he had ever seen." Shot entirely in Super-8, narrated by the director.

Lou Believers(en)

Thurston Moore, Kim Gordon, and Lou Reed roam the streets of Los Angeles searching for James Woods.