After wrapping up the shoot of his upcoming period film, in which he also plays the lead character Mehboob, Indie film director-writer RK (Rajat Kapoor) struggles to piece his film together on the editing table. Trouble escalates when he discovers that his lead character has vanished from the film’s footage and entered real life.
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When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
A socialite marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy in her.
During the Napoleonic wars, a Spanish officer and an opposing officer find a book written by the former's grandfather.
An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.
Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost -- love, excitement, passion -- this classic American independent film explores themes of aging and alienation.
1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.
Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.
Django is on the trail of some renegade outlaws who raped and killed his wife. En route, he rescues a horse thief from an impromptu hanging. He discovers the man knows who committed the murder. The men team up and head west for revenge.
At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man's diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn't tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he's not dying at all (while he doesn't) and she believes it's just a lame excuse to hide an affair, so she decides to leave him.
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.
Saverio and Filippo are two friends and religious leaders of a travel agency in Rome. However, Filippo has trouble with his wife, because she finds out that he cheated on her with a comely girl named Alice.
After a team of surgeons botches his beloved wife's operation, the distraught Dr. Phibes unleashes a score of Old-Testament atrocities on his enemies.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.
In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.
A bounty hunter trying to bring a murderer to justice is forced to accept the help of two less-than-trustworthy strangers.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Badki and Chutki live a fun-filled life in Banaras, playing pranks, sneaking off to see a forbidden mujra, and soaking up all the excitement that goes on the ghats of the Ganga. Badki is aware that the family is in dire straits, but she and her mother protect Chutki at all costs. When things get worse, Badki decides to go to Mumbai and seek a living for the family.
Zafar's obsession with Salma causes the destruction of her family and her mental breakdown. Years later, fate unites her sons, Iqbal and Sunny, and they set out to save Salma from Zafar's captivity.
A gambler turns into a cricket bookie banking on his sixth sense for the game. But his urge to make quick money pushes him into match-fixing and he loses control of his life and love.
Kishorilal wants an Indian bride for his westernised son. He gets him engaged to Ganga, his friend's daughter, and brings her to USA. But she shares a deeper bond with Arjun, Kishorilal's foster son.
Shakuntala (Mumtaz) is an estranged wife from Dushyant (Shatrughan Sinha) who wanted refused to admit that she is his wife because his political career would be hindered. His father (Om Shivpuri) never approved her because of her poverty and therefore decided to split them apart by blaming Dushyant for marrying her and because of that it would hinder his career.
A blind, orphan girl aspires to be a successful singer. With the help of another street performer, she sets out to make a mark and in the process discovers her real parents.
Ravi lives in Bombay city with his blind and ailing mother, who cannot withstand any excitement. His dad works out of town, but manages to send them money for their livelihood every month. Then one day the Police come and knock on his door, and inform him that his father has passed away. He is devastated, but hides this fact from his mother, and arranges the funeral with the help of friends and neighbors. He comes to know that his father was killed by a man named Shiva, and he vows to avenge this. One day he gets into a fight with hoodlums, and a man named Tony comes to his aid.
Maharaja Sharminder Bhupathi of Avanti and his wife, the Rajmata, would like to see peace in the region, and would like their daughter, Alaknanda, to marry the prince of Gandharva, Aditya Vardhan. While in Gandharva, Aditya has plans of his own, for he loves a courtesan, Jaswanti, and would not dream of marrying anyone else, much to the disapproval of his brother, Ugrarao. Not to be outdone, Alaknanda loves a young warrior by the name of Vikram Singh. Acharya Abangdev of Avanti has plans of his own, which do not include Alaknanda, as he would like to take the region over and rule over it through Ugrarao. Then the unexpected happens, Aditya is reportedly killed by bandits, and Abangdev announces that Ugrarao be the next king, but at the very moment, Aditya shows up, is crowned the king, and makes sweeping changes to Avanti for the betterment of the people.
Zindagi Tere Naam is a 2012 Hindi-language Indian feature film directed by Ashu Trikha, starring Mithun Chakraborty and Ranjeeta in lead roles and the film is a matured love story. The film was completed in 2008, but released only in 2012 with limited prints. The film is based on the American Nicholas Sparks' novel The Notebook and the 2004 movie of the same name.
When Lambodar Bhatt is given the opportunity to have his soul transported into King Nand’s body, he thinks of it as a way to make things right and become rich. However, once Lambodar becomes the King, he finds himself turning into the same exploitative and frivolous king that Nand was.
Sunil is a collegian and comes from an upper class family. His parents want him to marry the girl of their choice, but he rebels, and refuses to do so. He wants to marry beautiful fellow collegian, Mamta. But will his parents let him have his own way?
Ajay Nath comes from a wealthy family, and is prone to playing practical jokes and pranks in order to get his way with this mother and father. In one case he asked one of their family doctors', Dr. Panjabi, to lie to his dad that he has cancer, so that he can accompany his college friends to a outing to Kashmir. He falls in love with fellow collegian Geeta Chopra, who is in love with Shyam. But Ajay's dad, fooled by his illness convinces her to be kind to him, and she becomes friendly with Ajay, both eventually fall in love with each other and want to get married. Then their family gets the news that Ajay really has cancer and has only a few more months to live. Under the changed circumstances, both the Nath and Chopra families are against the marriage of Ajay and Geeta. Will Ajay and Geeta get married? Does Ajay really have cancer or is this another prank?
Orphaned at a very young age, Varsha Oberoi, lives a wealthy lifestyle with her paternal uncle, Jain Oberoi, in Bombay, and has traveled world-wide. She is in love with Vijay, a middle-classed young man, who runs a small furniture store, badly in debt, and lives with his widowed mom, a younger brother, Deepu, and sister, Nanhi, who are very friendly with Varsha. Then Vijay is reunited with his childhood friend, Vikram Chawla, who is welcomed with open arms by the entire family. It is then Vijay's life turns around, he starts getting a lot of orders, gets out of debt, is able to buy a jeep to replace his motorbike, and moves to a comfortable bungalow.
Two zanies open a photography studio. They score a partnership with a gossip magazine that suddenly thrusts them into a world of corruption, murder, and hijinks.
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
India's Biggest Franchise is back with the 5th instalment, and this time it is not just chaos and comedy.... But a KILLER Comedy!
A documentary chronicle of one of our greatest directors.
A young woman must try to keep a one-night stand that she had in college a secret from her husband who happens to be one of his best friends, and thowart a persistant blackmailer intent on collecting money from her to keep quite about it.
Tohfa (English: Gift) is a 1984 Bollywood drama film produced by D. Rama Naidu on Suresh Productions banner, directed by K. Raghavendra Rao. Starring Jeetendra, Jaya Prada, Sridevi in the lead roles and music composed by Bappi Lahari.[1] The film is a remake of Telugu movie Devata (1982). The film became a hit and took the top spot at the box office in 1984.
Abhimanyu Kaul - a young, independent, Games Developer, living in Japan and the love of his life, Anwita Chauhan - a bubbly, passionate and full of life, summer intern. Their happy and content life faces the test of time, when blood ties and the pressure of being born into the first family of India tears a young Abhimanyu between his love for Anwita and a promise made to his dying father, the Prime Minister of India. Being a public figure, by reluctantly accepting to represent the governing party, much against his own wishes and at the cost of his private life, is a double-edged sword that Abhimanyu must walk on.