Newark: The Slow Road Back(1988)

Street Fight(en)

This documentary follows the 2002 mayoral campaign in Newark, New Jersey, in which a City Councilman, Cory Booker, attempted to unseat longtime mayor Sharpe James.

Life of Crime 2(en)

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

New Jersey Devils Stanley Cup 2002-2003 Champions(en)

Chronicles the latest chapter of the Devils’ third Championship in nine years

One Year in a Life of Crime(en)

Their job is stealing, their lives a cruel dead end. Director Jon Alpert takes his cameras undercover for this hard-hitting look at men who live by theft and suffer addiction. Focusing on a year in the lives of three professional criminals, this gritty profile—which includes hidden-camera footage of actual thefts—exposes the "petty" crimes that are paralyzing America.

The New-Ark(en)

Beginning as a city-symphony of Newark streets, buildings, and people set to wordless chanting, The New-Ark quickly arrives at its political imperatives: Black Power must be accomplished through nationalism, and "a nation is organization." The film focuses on black education, urban public theater, and political consciousness-raising inside and outside of Spirit House - director Amiri Baraka's Black nationalist community center.

The Writing on the Wall(en)

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

Sing! Fight! Sing! Fight! From LeRoi to Amiri(en)

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

Música(en)

A young man, plagued by the music in his head, has to come to terms with an uncertain future while balancing love, family and Brazilian culture in Newark, New Jersey.

The Many Saints of Newark(en)

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark, N.J., history, becoming a man just as rival gangsters start to rise up and challenge the all-powerful DiMeo crime family. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, whose influence over his nephew will help shape the impressionable teenager into the all-powerful mob boss, Tony Soprano.

Thug(en)

Thug, is a documentary type style film about a filmmaking student from the suburbs who comes to the inner city of Newark New Jersey to document one of New Jersey's worst criminals named GINO. But things take a turn for the worse as he digs deeper, which makes Gino's True Colors come out that sets off a chain of unnerving events sending him on a killing spree against anyone who crossed him.

Rob Peace(en)

An underprivileged, gifted young black man from Newark reaches Yale University, only for shadows and injustices from his past to threaten his future.

Zero Budget(en)

Looks at the emergence of lesbian feature filmmakers in the U.S. and how they produce films on a small budget. Interviews with directors Rose Troche (Go Fish); Sharon Pollack (Everything Relative); and Alex Sichel (All Over Me) as well as producer Dolly Hall, executive producer Christine Vachon and writers Sylvia Sichel and Guinevere Turner.

Jack of Three Trades: In Focus on Nicholson the Director(en)

We all know Jack Nicholson the actor. But few know the history of Jack Nicholson the screenwriter, and especially Jack Nicholson the director. Nicholson's lifelong friend, filmmaker Henry Jaglom, reflects on the icon's behind-the-camera career, while film historian/filmmaker Daniel Kremer presents and analyzes the full scope of that history.

Freight(nl)

Onboard the Panerai container ship, the young sailor Rudmer dreams of becoming a captain himself one day.

Elective Vicissitudes: The Radical Exiles of Jules Dassin(en)

In 1968, filmmaker Jules Dassin collaborated with Ruby Dee and civil rights activist Julian Mayfield on Uptight, a "politically radical" film noir about Black revolution, framed against the April 4 assassination of Dr. Martin Luther King, Jr. Director, producer and co-writer Dassin, a blacklisted American exile, returns to his birth country after having gone into a second exile from his adopted country Greece, then makes a film that roiled the powers that be (or "powers that were") in the U.S. government. The material so upset the FBI that they closely monitored the production up until the eve of its premiere, recruiting crew members as moles. The irony is rich, as Uptight was a remake of John Ford's The Informer (1935) and dealt with a turncoat character who engineers the assassination of a revolutionary leader. How is Uptight both an outlier (or anomaly) as well as simultaneously integral to the career of Jules Dassin?

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger(en)

Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?

Entre Vitrais e Orações(pt)

Galeria Alaska(pt)

Clear Lines of Sight: Sidney J. Furie at Paramount(en)

Canadian-born filmmaker Sidney J. Furie made his name with British hits like The Young Ones (1961), The Leather Boys (1964), and The Ipcress File (1965). When he arrived in Hollywood, Marlon Brando and Frank Sinatra wreaked havoc on his first major studio productions. In 1968, the newly emigrated director joined a stable of cutting-edge filmmakers at Paramount Pictures, under the new leadership of Bob Evans. His films saw both a stylistic departure and a shift in thematic focus. What was behind the evolution, and which aspects unite all of Furie's films?

Okoru Saigyou(ja)

Having worked in a wide range of fields from children's TV animation scripts to 'pink' films, independent auteur Okishima Isao directs and stars in this documentary. Upon hearing that the walkway along the Tamagawa Aqueduct, one of his favorite spots, was going to be closed to make way for a new road, he gathered his crew to document the scenery. Okishima gives accounts of various painters, writers, and manga artists, as well as his personal take on Saigyo, the traveling poet and Buddhist priest of the late Heian Period.