The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.
Bim
Elle
Petipa/Mephisto
Felix the Cat
Sugar Plum/Grand pas de deux
The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.
2000-01-01
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Suzuki Shizuka is an office lady at a conglomerate who is hypnotized at a local amusement park and left under the spell. Now she is compelled to sing and dance whenever she hears any melody whatsoever. She heads back to the hypnotist for relief, but he is nowhere to be found. So Shizuka sets off on a journey around Japan to find him and break the spell.
Musical short about a fraternity and a sorority that call a halt to dating between their houses to improve their grades.
Inspired by Mary Shelley’s Gothic masterpiece, Frankenstein is the world premiere of Liam Scarlett’s new full-length ballet. A story of betrayal, curiosity, life, death and, above all, love, exploring the very depths of human nature. Federico Bonelli dances the role of Victor Frankenstein, Laura Morera is his Elizabeth, and Steven McRae is the creature. Koen Kessels conducts Lowell Liebermann’s newly commissioned score in this co-production between The Royal Ballet and San Francisco Ballet.
During harvest festival at a collective farm, a visiting dance troupe reunites a ballerina with her childhood friend Zina. In order to teach her unfaithful husband a lesson, Zina, the ballerina, and the ballerina’s husband decide to swap roles for the evening… Alexei Ratmansky invokes the genius of Shostakovich’s score at the Bolshoi, creating a laugh-out-loud masterpiece with its bits of slapstick comedy, hilarious deceptions, false identities including Principal Dancer Ruslan Skvortsov dressed as a Sylph and its many colorful characters! The Bolshoi bursts with vivid life and bright spirits in Ratmansky’s brilliantly choreographed smash. Captured live on Apr 29, 2012.
Thousands of years in a mysterious land called The Middle Kingdom, many legends were created. Martial arts was one of them, made famous by its name Kungfu. In an ancient temple we encounter a little boy. Through practicing Zen Buddhism and Kungfu, our little monk eventually grows and finally reaches the sacred goal of enlightenment.
While his wife is away, Frederick Stumplefinger lets his kids go out jitterbugging on a school night, only to have his wife return early.
Pina Bausch created and performed Café Müller for her dance company Tanztheater Wuppertal. The dance was inspired by and based on her childhood memories of watching her father work at his café in Germany during and immediately following World War II. In this silent style featurette, Bausch shows a restaurant after closing, in which the ghosts of the departed customers stumble blindly into walls and onto chairs but fail to find one another.
In a castle high on a hill lives Edward; a boy created by an eccentric inventor. When his creator dies he is left alone and unfinished with only scissors for hands until a kindly townswoman invites him to live with her suburban family. Can Edward find his place in the well-meaning community which struggles to see past his curious appearance to the innocence and gentleness within?
The Wiener Staatsballett performs Rudolf Nureyev's world-famous choreography of "The Nutcracker." Recorded live at the Vienna State Opera, 7 October 2012.
The Hollywood musical is brought to a Glasgow street. Amidst the crush of city life, two street musicians provide the backdrop for a girl meets boy story, with a spark of purely Glasgow magic.
Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.
In this musical short, a man tries to woo the manager of a dance troupe.
Turtle Dreams, produced for WGBH-TV, originally aired September 2, 1983. Shot by Ping Chong. Composed by Meredith Monk, performed by her and her Vocal Ensemble.
The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.
The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.