An algorithmic, web-based mashup of white savior tropes and clips from popular cinema.
An algorithmic, web-based mashup of white savior tropes and clips from popular cinema.
2018-01-01
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A bartender takes on the physical form of her imagined alter egos.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.
"A girl wakes up as a blank slate in front of a white wall. Unable to control her nighmarish reality, she turns into something else."
A lone wind ensemble musician photographs an ongoing performance as she's suddenly joined by a past lover.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
A mother and her daughter, born of the ocean, try desperately to heal one another.
Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.
A Short Film/VFX School Project by Anders Heiene and Ragna Aasen, inspired by the Blender artist Exequiel Martina, exploring a surreal story blending CG and Live Action.
Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.
Whilst a boy mourns the passing of his younger brother, hope of unity is found in his grief.