There Goes the Neighborhood(2017)

0004ngel(fr)

To support his mother in Mexico, Angel, a nude dancer, turns the web into his new stage.

A Native Street in India(en)

Early film of a crowded street scene in an unidentified Indian city.

Among the igloo dwellers(en)

Expeditions in the Western Canadian Arctic

Dawn of hope(am)

Film about the Ethiopian famine of I984/85 and the measures taken to combat it

Your Friend, Ranger Doug(en)

A 94-year-old Glacier National Park ranger confronts the decline of the park he calls home as he reflects on his life and the legacy he will leave behind.

Ashes(el)

Biosphere! Time to Apprehend(ru)

A journalistic story inspired by Volodymyr Vernadsky about the genesis of life in the universe — from the physical elements of the primordial broth to the civilization of intelligent man.

Leila and the Cigarette(ar)

In early September 2011, Leah decided to go to Lebanon to film her grandmother. Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.

To the Devil... The Death of Hammer(en)

A short retrospective documentary looking at the making of the final Hammer Films production of the 1970s, "To the Devil a Daughter."

Poor-Land(pl)

A documentary about unemployed workers in Walbrzych, Poland.

Angkor - Ein Urwaldgeheimnis in Kambodscha(de)

An overview of the ruins of Angkor, the former capital of the Khmer Empire.

Skiing Scenes With Franz Klammer(pl)

A 'creative documentary' about an Austrian skier who was known during the 70s. Examined from a biographical / visual standpoint.

Esperança(fr)

Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.

I Don't Want to Sleep with You I Just Want to Make You Hard(ja)

Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.

Arekara - The Life After(ja)

In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.

Escape(en)

Tired of the fast way of life encroaching on the art world after a long stint in the city, an artist goes back to his roots on a remote island in Scotland to try and clear his head and regain focus.

San Ildefonso Experience(es)

Au coeur de Nikita(fr)

A documentary that captures some moments on set of filming of Luc Besson's "Nikita".

Ozu: Passageways(en)

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

The World According to Koreeda Hirokazu(en)

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.