It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".
It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".
2010-09-20
10
In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.
Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.
The film tells the story of a near future in which the earth is irreversibly sandy, as human emissions and rubbish exceed its carrying capacity. As plants and animals mutate to create the Earth's new masters, the "sand worms", which are slaughtering the planet and driving humans to the brink of extinction, the survivors are left to their own devices to find the only remaining refuge in the deep desert, the "Oasis". An exiled team of wealthy businessmen, scientists, security chiefs, mechanic families and gangsters set out on an adventure to find the Oasis in a special armoured vehicle, but the bloodthirsty insects are hot on their heels.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.
This is an April Fool's joke by Nitroplus. On 01.04.2011, an official website for Mahou Shoujo Sonico Magika, a parody of SoniComi (a game by Nitroplus), was opened with the announcement of it being a TV anime. On the same day, the opening video for the so called TV anime was released on YouTube by NitroPlusChannel. This opening is essentially the entire anime. The title is a clear reference to Mahou Shoujo Madoka Magika, a TV anime which screenplay was written by a Nitroplus staffer Urobuchi Gen, who also got credited for screenplay for this anime on the official page. No screenplay was ever written, of course.
A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?
Lydia, a midwife very invested in her work, is in the middle of a breakup. At the same time, her best friend, Salomé, announces to her that she is pregnant and asks her to follow her pregnancy. The day Lydia meets Milos, a one-night stand, while she is holding her friend's baby in her arms, she sinks into a lie, at the risk of losing everything.
Ex-con Russell Gaines is attempting to rebuild his life with the help of his father, Mitchell. However, the arrival of Maben sends his new life into chaos, leading the pair to go on the run - as their violent pasts catch up to them, the pair must learn to trust each other if they hope to live out the rest of their days.
A comedy set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.
New York police are bemused by reports of a giant flying lizard that has been spotted around the rooftops of New York, until the lizard starts to eat people. An out-of-work ex-con is the only person who knows the location of the monster's nest and is determined to turn the knowledge to his advantage, but will his gamble pay off or will he end up as lizard food?
DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.
Single mom Flora is at a loss about what to do with her rebellious teenage son, Max. Her efforts to keep him out of trouble lead to a beat-up acoustic guitar, a washed-up LA musician, and harmony for this frayed Dublin family.
A young Abigale Archer is left friendless and alone in a brutal Montana winter during the 1870s—fighting for survival and to retrieve her one earthly possession, her family’s horse, from a gang of bloodthirsty bandits.
Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope.
A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.
Yonosuke Hikura appears to be an ordinary high school student. Yet he has inherited the important role of protecting the harmony between Heaven and Earth. With the help of the magical sword Chitentai, and Tsukinojo Inbe, he courageously battles the demons, sending them back to the Earth World, from which they have escaped.
Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.
Three siblings who break away from a lackluster temple tour in a jungle finds themselves immersed in a real-life mission comprised of obstacles that they must complete in order to escape alive.
In 1895, young journalist Albertine Auclair arrives in the Kabylie during a family visit. The beauty of the region seduces her but she soon learns of the struggles of the native Algerians. She hears in particular about Arezki El Bachir, who was recently sentenced to death by the colonial justice system, and decides to find out more about this extraordinary man.
An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.
Portrait of the Algerian singer and composer Kamal Hamadi (husband of the singer Noura). Performer, musician, conductor, lyricist, author and composer, he is considered today as the witness par excellence of Algerian artistic action of the 20th century. The film received the Golden Olivier for best documentary 2010 at the Tizi-Ouzou Amazigh Film Festival in Algeria.
The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.
Everybody lies, and everybody gets lied to...We lie to get ahead, we lie to get the girl, and to keep our secrets. Whether motivated by greed, ego, or criminal intent, just when you think you've heard it all, there are 1000 WAYS TO LIE.
In the streets of the Casbah of Algiers, an FLN fighter pursued by the colonial police hands over confidential documents to Mourad, an Algerian child shouting newspapers who must at all costs pass them on to the resistance. But the police are on their trail and will do anything to get them back.
By meeting his former comrades in combat, the film follows the journey of Yves Mathieu, anti-colonialist in Black Africa then lawyer for the FLN. When Algeria became independent, he drafted the Decrees of March on vacant property and self-management, promulgated in 1963 by Ahmed Ben Bella. Yves Mathieu's life is punctuated by his commitments in an Algeria that was then called "The Lighthouse of the Third World". The director, who is his daughter, returns to the conditions of his death in 1966.
A team of explorers arrives on Mars to join the first human colony on the planet, only to discover that their predecessors have vanished.
Rufus is a dog but turns into a human with a pendant. He meets a girl named Kat who asks him to go out. Kat is a cat who can also turn into a human as well.
From an ominous Lecturer, a small 1930s middle American community learns of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana. Along the way, he receives help from his girlfriend Mary and Jesus Himself, but always finds himself in the arms of the Reefer Man and the rest of the denizens of the Reefer Den.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.