Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.
Self (archive footage)
Self (archive footage)
Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.
2004-01-01
10
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.
Sonic's arch nemesis Dr. Robotnik has been banished from the Land of Darkness by an evil Metal Robotnik. The devious doctor tells Sonic that the Robot Generator has been sabotaged and will blow Planet Freedom to kingdom come. But it's not until the President's beautiful daughter Sara turns on the charm that Sonic springs into action.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
The scares start in Hawaii, where Scooby-Doo and Shaggy are scarfing down the surf-and-turf menu until a giant serpent tries to swallow them faster than you can say She Sees Sea Monsters by the Seashore. In Uncle Scooby and Antarctica, a friendly penguin invites the Mystery, Inc. crew to visit his polar home, which happens to be haunted by an ice ghost! Then, the gang meets music group Smash Mouth while visiting Australia's Great Barrier Reef to watch Shaggy and Scooby compete in a sand castle contest in Reef Grief! Just when they think it's safe to go back in the water... it isn't.
The gang flies off to Africa for a video animal safari titled 'So Goodi!,' only to learn that - zoinks! - the creatures are actually shape-shifting jungle demons! In Homeward Hound, a "fiercely fanged" cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, a giant Wakumi bird is stealing sculptures that are scheduled to be housed in a museum in New Mexico, Old Monster. There's never a dull moment when Scooby-Doo enters the scene!
Picking up several years after the dissolution of the original Borgman team, this volume reunites the three remaining members--rocket scientist Ryo, his girlfriend Anise, and police officer Chuck Sweager--for the emotionally-driven episode "Lover`s Rain," which finds the trio facing an army of the undead bent on a rampage of murder and destruction.
This is going to be the best holiday ever. Coconut The Little Dragon is thrilled about going to summer camp with his best friends Oscar and Matilda. But due to wild Water Dragons and carnivorous plants, the adventure he wished for turns out tougher than expected.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Including Youssou N'Dour And Le Super Etoile De Dakar In October 1987. After many months on the road, it was in the elevated surroundings of the hillside open-air theatre at Lycabettus overlooking Athens that the So tour came to a climactic close. The three nights were filmed in what was the first-ever Peter Gabriel concert to be committed to film.
Shinzo Egi is an asthma sufferer who does not want to be place on life support. As a last request, Shinzo Egi asks his doctor Ayano Orii if she could follow his wish. Doctor Ayano Orii is then questioned in a criminal case because of her decision.
A Harvard man fights a railroad baron with a disguise and the power of the press.
After six years away, D.A. Kuryu Kohei (Kimura Takuya) returns to his former Josai branch of the Tokyo District Public Prosecutors Office, just in time for a brewing storm. Kohei's first case starts out simple enough. The suspect, a blonde-haired security guard, had already confessed to manslaughter, but he suddenly retracts his confession and takes things to court with big-shot defense attorney Gamo (Matsumoto Koshiro). It turns out that the security guard is a key alibi witness in a high-profile political corruption case, and the results of his case will directly affect the next. With the media, politicians, and a special investigative team breathing down his back, Kohei must handle the case with care (and flair) to find out the truth.
Further to an accident, Serge falls into a coma. A research team is going to try to stimulate his memory to return him to consciousness.
Tintin and his friends get involved in an unexpected and weird adventure when they meet Laszlo Carreidas, an eccentric millionaire.
Soviet wartime cameramen accompanied the fighting troops of the Red Army on foot, aboard their tanks, and in their aircraft to film this epochal documentary of the Battle of Moscow that halted the vaunted and---until then, unstoppable---German war machine cold in its tracks.
A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.
In the Land That Is Like You is a progress on the tracks of my lost past, with the contact of my mother, my grandmother and the man who I love, in a country which escapes from me and retains me, Lebanon.
Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?
Lebanon's brief flirtation with space travel in the 1960s becomes a poignant metaphor for the Arab world's utopian dreams in this riveting documentary.
Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.
Beyrouth, spring 2020. Is the uprising in Lebanon merely on hold?
Lebanese director Angie Obeid embarks on a road trip with her father, Mansour, retracing a journey he made 42 years ago. She tries to reach out to the young Mansour, understand the decisions he made when he was her age, and find common ground. The film explores the challenges and opportunities that arise when navigating the boundaries between tradition and modernity, family and individuality, home and the wider world.
Kamal Jumblatt, the Master of Moukhtara Castle, recounts the major events of his life until his assassination on March 16, 1977. The film takes us on a global journey from Lebanon to India, in the footsteps of Kamal Jumblatt, the founder of the PSP (Progressive Socialist Party), the leader, the rebel, the reformer, the thinker, the poet, the Yogi … Kamal Jumblatt (1917-1977) becomes the last witness... of his own life.
In early September 2011, Leah decided to go to Lebanon to film her grandmother. Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.
Tribute to the Druze Kamal Jumblatt, Minister of Economy and Agriculture (1946) and founder of the Progressive Socialist Party (PSP) in 1949. He was one of the architects of the departure of President Bechara el-Khoury (1952), before playing a major role in the events of 1958. From 1960 to 1964, Kamal Jumblatt assumed, under the presidency of Fouad Chehab, various ministerial functions . . After the conflict of June 1967, he gradually approached the Palestinian organizations. In 1969 he became Minister of the Interior; in August 1970, he supported the election of Soleiman Frangié as President of the Republic. Following the Lebanese-Palestinian clashes of May 1973, he took sides against the head of state, established himself as the leader of the National Movement in 1975 and engaged in a revolutionary armed struggle against the Lebanese Front. Hostile to Syria's intervention in Lebanon, he broke with it (March 1976). He was assassinated near a Syrian checkpoint in 1977.
A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.
The Land documents the uprising of the people of Bisri and activists from all of Lebanon against the construction of the dangerous dam leading up to the Bisri Valley's liberation. Farmers and shepherds discuss their fears of losing the land and their intimate relationship with it. It also presents the project's seismic and geological dangers, its futility, the conflicts of interest surrounding its construction, and its destruction of a rich and significant area in every respect.
Ibrahim Sultani is a 22-year-old architecture major who has a hobby of painting portraits on banknotes. On them, he portrays Lebanese icons from the fields of music, cinema, sports, media, fashion, and many more due to the common appreciation and love that Lebanese citizens share for them. Due to the economic crisis that exists within the country, he hopes his work will give the currency back some of its lost value, at least metaphorically.