An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?
Ferial has lived in La Dauphine, an old Provençal countryside located on the foothills of the Alps, with Philippe and their three sons for over 20 years. Daughter of a German woman and a Palestinian man, born in Jordan, Ferial sees in this place where she lives today the realization of a strange dream she had when she was still living in Jordan with her parents many years ago. In this dream, Ferial found herself isolated on a small island lost in the middle of the ocean. On this island, there was a blue tree on which three blue birds were perched. She never forgot this dream.
Italian documentary illustrating the xylella virus devastation of the olive-growing flora in Apulia by the xylella virus. In Apulia, a region in south-eastern Italy, the most serious botanical pandemic of the century is underway: a quarantine bacterium, Xylella Fastidiosa, is killing millions of olive trees. Disrupting landscape, economy and human relations. The Era of Giants narrates Giuseppe’s journey to his father’s land, in the Plain of the Monumental Olive Trees, where the epidemic is imminent. He will have to explain to the old farmer how their lives will be disrupted by this invisible bacterium, hitherto unknown in Italy.
Gripped by a fear of drought, 'SCENES FROM A DRY CITY' uses the lens of water to reveal cracks in Cape Town's complex social fabric.
Dora Maar, a world-class photographer who began her artistic career in the French Surrealist scene of the 30s, lived in the shadow of Spanish painter Pablo Picasso, her lover between 1935 and 1943, with whom she maintained a chaotic, even violent, relationship. Fortunately, she survived Picasso's abusive behavior and its sequels to find a new path, the best one, the one that is worth to be told, in spite of Picasso.
A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
A series of interviews with young adults about their fears and frustrations.
A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.
After one of the hottest years on record, Sir David Attenborough looks at the science of climate change and potential solutions to this global threat. Interviews with some of the world’s leading climate scientists explore recent extreme weather conditions such as unprecedented storms and catastrophic wildfires. They also reveal what dangerous levels of climate change could mean for both human populations and the natural world in the future.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
Guy Debord's analysis of a consumer society.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Independent documentary created by group of enthusiast from Russia. It covers the topic of Zapatista uprising in Chiapas, Mexico and struggle of Mexican indigenous peoples for justice, liberty and democracy.
A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short story 'The Walk' by Robert Walser. Juxtapositions, different speeds and split frame techniques convey the walker's state of mind as he encounters a world of hilarity, despair and ceaseless variety.
The times are fueled by anxiety, and our tweets will not say the opposite. A feeling of the end of the world hangs over our economic model. The frustration, for those who feel it, seems inevitable. The question of meaning has never been so acute. It’s time to talk about it, and who knows, to find answers.
ARCTIC SUMMER is a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. The film captures Tuk during one of the last summers before climate change forced Tuk's coastal population to relocate to more habitable land.
Paris to Pittsburgh brings to life the impassioned efforts of individuals who are battling the most severe threats of climate change in their own backyards. Set against the national debate over the United States' energy future - and the Trump administration's explosive decision to exit the Paris Climate Agreement - the film captures what's at stake for communities around the country and the inspiring ways Americans are responding.
A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
The author's personal confession. This essay film about the relationship between father and son is filmed exclusively in 16mm film in Prague, Slovenia, India, England and France. An important component of Brajnik's film narration is the musical composition and accompanying voiceover of the artist's alter ego.
The Netherlands, a bastion of capitalism, has struggled with unprecedented housing crises since 2018. This brings a rise of different ideologies that challenge the dominant status quo. In the city of Nijmegen, an anarchist collective JAN10 battles the ongoing housing crisis by squatting empty buildings, which poses a threat to the established capitalist interests.