Echo(NaN)

Today is the First Day of the Rest of Your Life(pt)

During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.

My Flesh and Blood(en)

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

I Think You've Been Looking for Me(en)

After 48 years of emotional longing, a mother meets her son who she relinquished at birth. In the months after the reunion, Dorothy and Joe must overcome nearly five decades of separation in order to reconnect.

Three Identical Strangers(en)

New York, 1980. Three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds' joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever.

A Kind of Family(en)

This feature documentary tells the complex and touching story of Winnipeg city councilor Glen Murray and his 17-year-old adopted son Mike, whose struggles with addiction and behavioural problems cyclically repeat. Glen, now an Ontario Member of Provincial Parliament, was one of the first openly gay elected politicians in Canada. He adopted Mike during an era when homophobic stereotypes often prevented gay men and women from adopting children. Glen and Mike's relationship is always tenuous and always turbulent as they struggle to define themselves together and alone.

Wo Ai Ni Mommy(zh)

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

Through Your Eyes(fr)

In an effort to understand where she came from, Fabiola asked a question that became the central phrase of the film: what would my life have been like if I'd stayed in Haiti? Taking as her starting point her biological mother's precarious economic situation, she had no choice but to entrust her daughter to her care. Fabiola could have ended up restavek, or in a loving foster family, or on the streets abandoned to her fate, or adopted abroad.

Loyal to My Image(en)

Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.

Somewhere Between(en)

Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.

Moon Child(fi)

A movie about two women who are mothers to the same child, and a child who belongs to two different worlds.

Twinsters(en)

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

Dawnland(en)

They were forced to assimilate into white society: children ripped away from their families, depriving them of their culture and erasing their identities. Can reconciliation help heal the scars from childhoods lost? "Dawnland" is the untold story of Indigenous child removal in the US through the nation's first-ever government-endorsed truth and reconciliation commission, which investigated the devastating impact of Maine’s child welfare practices on the Wabanaki people.

The Twinning Reaction(en)

An astounding exposé that gives voice to the unwitting subjects of an infamous American scientific experiment: the 1960s Neubauer-Bernard study of separated twins. Told from the perspective of the Jewish identical twins and triplets who were secretly split up in infancy and adopted through Louise Wise Services, a Jewish adoption agency, the documentary examines the traumatic, long-term effects of the separations — and continuing deception — on the children and their adoptive families.

State Owned Children(de)

Following in the footsteps of two women in search of their origins, this documentary lifts the veil on a little-known page of the post-war era: the adoption, as part of a cross-border program, of thousands of children born during the French occupation of Germany.

To My Birthmother...(en)

Meet Me On The Bridge(en)

Kati Pohler was abandoned in a market in China when she was three days old. Her parents left a note saying they would meet her on a famous bridge 10 or 20 years later. When the time arrived, it became a huge story in China, but Kati was living in America and had no idea. This is how she finally met her biological family.

First Person Plural(en)

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

D'une mère à l'autre(fr)

Ingrid Chauvin : notre combat pour adopter(fr)

Don't Be Like Brenda(en)

The brutally entitled Don't Be Like Brenda (1973) is an eight-minute lecture to young women, telling them not to be sexually promiscuous like the film's hapless heroine – although heaven knows, the promiscuity hinted at here is tragically modest. Poor Brenda goes all the way with a boy who does not marry her. The film is stunningly without any useful educational content on contraception and makes it entirely clear that the woman, not the man, is to blame. The film even makes her poor unwanted child suffer from a heart defect, so that no one wants to adopt the poor little thing – just to hammer the point home. (from: http://www.theguardian.com/film/filmblog/2009/feb/11/sex-education-films)