Lucia di Lammermoor(2016)

Gianni Schicchi(en)

Woody Allen's production of the Puccini comic opera at LA Opera in 2015

Fate(en)

Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. Two detectives are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell.

Guns of Nevada(es)

Joe Dexter, a famous gunfighter known as Nevada Joe, Golden Hill reaches a mining town. There he will find that the transport of gold from the mines is monopolized by John Randolph, who is opposed only Julia Brooks, owner of a mining concession, with which Dexter intimará and support in its confrontation with Randolph.

Nika(en)

An aging model, in a grave desperation, faces a life choice that could redeem or ruin her.

Dharmaveer 2(mr)

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

Skin of a Mandarin(et)

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

El Asesino del Zodiaco(es)

Parkour!!! (and corruption with a Q)!(en)

the boys (and Georgina) take on the Emirates stadium in an epic afternoon of parkour! Corruption 4 eva!!!

André Is an Idiot(en)

André, a brilliant idiot, is dying because he didn’t get a colonoscopy. His sobering diagnosis, complete irreverence, and insatiable curiosity, send him on an unexpected journey learning how to die happily and ridiculously without losing his sense of humor.

Soorya Gayathri(ml)

Married at 17 and widowed at 20, Dr. Balasubrahmaniam lives with his teenage son. Son does not want to follow his father into medicine and joins an engineering college. He is killed accidentally by some seniors during ragging. The grief-stricken father tries to avenge his son's death.

Spring Like Lovers(ja)

Kazu becomes distrustful of his current partner Shin and goes to see his ex-boyfriend Takashi. But he finds out that Takashi has gotten married to a woman and feels that he is left with nowhere to go.

Stripped Down: The Making of ‘Anora’(en)

Making of documentary surrounding the production of ‘Anora’

Visionary Iraq(en)

Story about Incest and the Iraq war.

Little Miss Rawther(ml)

Naina Rawther, a so-called liberated and modern-day successful young woman, born to an upper-middle class Muslim family, finds herself at great odds on her wedding night. Meanwhile, AB, her college sweetheart is seen going through a very tough phase in his life. Would their love endure the night or perish at dawn break?

Krokiga vägen till Lyckliga gatan(sv)

A film about dreams and opportunities, not about problems.

Arizona Bad Man(en)

The daughter of a notorious cattle thief falls for a stranger at a dance. The stranger is really a lawman who is after her father.

Exposition nationale suisse. Palais des beaux-arts(en)

A tram passes by a couple of times.

Interrupted Melody(en)

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

Death in Venice(en)

Benjamin Britten's 1973 opera, performed in 2008 at the Liceu Opera in Barcelona, Spain.

Orphee et Eurydice(en)

I usually don't like classic operas with modernized production and costumes. This one is an exception. The modernized twist is made to fit the story very well and makes watching this opera very enjoyable. Alagna as Orphee does a great job and and is more realistic than a female singer in the role. His impeccable french is an added bonus for french speakers like me. This is the version of this opera that you would want to watch without getting bored

Verdi Aida(en)

Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.

Janáček: The Cunning Little Vixen(cs)

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Mussorgsky: Khovanshchina(ru)

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

Shostakovich: Lady Macbeth of Mtsensk(ru)

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

The Great Waltz(en)

Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.

Verdi: Otello(en)

Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).

Arabella(de)

2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ

Farinelli(fr)

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Rigoletto(it)

A musical drama based on Giuseppe Verdi's opera Rigoletto.

The Art of Singing: Golden Voices of the Century(en)

Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.

Cosi Fan Tutte(it)

Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Kaufmann's Otello at the Royal Opera House(it)

On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.

La Finta Giardiniera(it)

The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.

Marcos Morau : La Belle au bois dormant(fr)

Funding(en)

Vivian, Roe, JJ, Ines and a mysterious French man through a 20 year musical memory of New York City. As people and places in their lives drift away, visual impressions meld with sound and narrative stories to reveal a complex yet moving tableau. As the characters recall their own personal histories, conflicting images reveal their past, present and future.

Giacomo Puccini: Turandot(it)

Lovely but lethal, the evil Princess Turandot comes to life through the performance of Luana De Vol in this visually stunning production of Giacomo Puccini's Peking-set opera directed by Nuria Espert and conducted by Giuliano Carella. In this 2004 performance at the Gran Teatre del Liceu in Barcelona, Spain, all the subtleties of Puccini's unique tonality and unconventional instrumentation are in ample evidence.