Adopce: Konkurz na rodiče(2014)

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution(de)

A Quiet Girl(en)

Adopted Montreal filmmaker Adrian Wills discovers, on camera and in real time, the startling truths of his complex beginnings in Newfoundland. Shocking details drive Wills to the core of his birth mother’s resilience, and ultimately his own. In this moving feature documentary that combines 16mm footage and contemporary images with deeply personal conversations, Wills’ voyage transforms from an urgent search for identity into a quest to give a quiet girl her voice.

My Flesh and Blood(en)

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

Discovering Dominga: A Survivor's Story(en)

Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.

South Korea’s Adoption Reckoning(en)

FRONTLINE and The Associated Press examine allegations of fraud and abuse in South Korea’s historic foreign adoption boom. The documentary investigates cases of falsified records and identities among the adoptions of 200,000 children to the U.S. and other countries over decades.

Wonder Boy(fr)

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.

The Guys Next Door(en)

An intimate portrait of a real Modern Family: Meet Erik and Sandro, a gay couple with daughters birthed by their friend Rachel who's married with three teenagers of her own.

Adoption International: A Global Scandal(fr)

In the collective imagination, international adoption evokes images of children being saved from a life of destitution in poorer countries by being adopted by families in Europe or America. But the reality that has emerged is one of child trafficking, falsified documents and governments around the world turning a blind eye.

De Chinese keizerin(nl)

Despite the warm images in the family archive, photographer and filmmaker Jonnah misses an intimate bond with her (adoptive) parents. Over the years, a wall has been built between them that Jonnah is now trying to break down with her parents.

Madonna of the Mills(en)

Uplifting tale of Staten Island woman who creates modern underground railroad and rescues 2,000 dogs condemned to death in Amish Country puppy mills. The film chronicles Laura F on her weekend rescue missions to Amish Country. With her Brooklyn mom and Staten Island girl friends by her side, Laura embarks on a four-year odyssey to rescue dogs from the hellish conditions of Amish puppy mills. The film follows four of the dogs from the time their lives are spared until they are nursed back to health and placed with their forever families. We see the dogs leave the cages where they have spent their entire lives and watch these dogs, who were given up for dead, transform the lives of the people who adopt them.

Twinsters(en)

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

Three Identical Strangers(en)

New York, 1980. Three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds' joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever.

Tribu(es)

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

Wo Ai Ni Mommy(zh)

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

After the Dance(en)

In this funny and moving documentary, acclaimed film-maker Daisy Asquith tells the very personal story of her mother's conception after a dance in the 1940s on the remote west coast of Ireland. By exploring the repercussions of this act, Daisy and her mother embark on a fascinating and emotional adventure in social and sexual morality. Her grandmother, compelled to run away to have her baby in secret, handed the child over to 'the nuns'. Daisy's mum was eventually adopted by English Catholics from Stoke-on-Trent. Her grandmother returned to Ireland and told no-one. The father remained a mystery for another 60 years, until Daisy and her mum decided it was time to find out who he was. Their attempts to find the truth make raw the fear and shame that Catholicism has wrought on the Irish psyche for centuries. It leads Daisy and her mum to connect with a brand new family living an extraordinarily different life.

Life Happens(en)

Life Happens deals with the topic of abortion in a unique, personal and ultimately uplifting way. Director Ash Greyson, who was nearly aborted just months before the Roe vs Wade decision, sets out on a journey to find others like him. In the process he uncovers the divisive issues, eventually finds some common ground, and seals it all up with compelling first person stories from mothers and children who narrowly escaped abortion. While pulling no punches, he skillfully replaces rhetoric and religion with hope and heart in what may be the most approachable film ever created on the topic.

Don't Be Like Brenda(en)

The brutally entitled Don't Be Like Brenda (1973) is an eight-minute lecture to young women, telling them not to be sexually promiscuous like the film's hapless heroine – although heaven knows, the promiscuity hinted at here is tragically modest. Poor Brenda goes all the way with a boy who does not marry her. The film is stunningly without any useful educational content on contraception and makes it entirely clear that the woman, not the man, is to blame. The film even makes her poor unwanted child suffer from a heart defect, so that no one wants to adopt the poor little thing – just to hammer the point home. (from: http://www.theguardian.com/film/filmblog/2009/feb/11/sex-education-films)

Dawnland(en)

They were forced to assimilate into white society: children ripped away from their families, depriving them of their culture and erasing their identities. Can reconciliation help heal the scars from childhoods lost? "Dawnland" is the untold story of Indigenous child removal in the US through the nation's first-ever government-endorsed truth and reconciliation commission, which investigated the devastating impact of Maine’s child welfare practices on the Wabanaki people.

Today is the First Day of the Rest of Your Life(pt)

During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.

First Person Plural(en)

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.