La Vie selon Stan(2019)

The Endless Summer(en)

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities(en)

Megacities is a documentary about the slums of five different metropolitan cities.

Railway Station(pl)

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Gimme Shelter(en)

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary(en)

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Dont Look Back(en)

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Stockholmania(sv)

Documentary depicting a group of different people and their lives in Stockholm under different conditions and through all seasons.

Angels Don't Die(fa)

In a time when living in Gaza has shifted from a natural right to an imposed duty, the people of Gaza learn how to navigate and overcome this reality with resilience.

Mommy, What's a Funkadelic?(en)

George Clinton's somewhat absurdist take on Parliament-Funkadelic history. Features never-before-granted access to his archive and spotlights his alter egos and friends

Purr(tl)

A queer college student pursues dancing despite the challenging life in the Philippines.

Navrácené zdraví(cs)

LCP, 20 ans en quête d'utilité publique(fr)

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Boca Fechada(pt)

Nossa Terra(fr)

Nossa Terra is a combat film, an urgent film, shot during the guerilla warfare surrounding Guinea-Bissau’s struggle for independence in the mid-1960s. Before becoming a politically committed filmmaker, Mario Marret had been a resistance fighter, an anarchist activist, a radio operator, an explorator. Making his way in French anti-colonial activist circles, he moved closer to the PAIGC (the movement for independence in Guinea and Cape Verde), who was then interested in cinema as a combat tool. He will be the first director to join the struggle. “It was a testimony. Never mind the format, the camera, all these things, a filmmaker was present. The filmmaker must be at the place where the world is made, when it is made. (Mario Marret)”(Léa Morin)

The Bath(pt)

A baby is bathed by its mother, who sings: “When I was a young girl…”. Later, a little girl’s voice will pick up the thread: “When I’ll be an old lady…”. Between the two, the film sketches an anthropology of all the different games, wonders, and plays with auditory perceptions that children carry out with water in all its shapes (baths, sprinklers, lakes…). But other dimensions are hinted at: an exploration of its meanings for mankind, a kaleidoscope of its movements, textures, and reflections, a spectrum of the scales in which it is to be contemplated. (Nathan Letoré)

Maîtres Anciens (Comédie)(fr)

Like Reger – the character Thomas Bernhard placed on a museum bench in front of a painting by Tintoretto, an ‘old master’ if ever there was one – an actor finds himself alone and stranded after a notorious virus closes theatres indefinitely. Here he is, wandering through an empty theatre, walking through pointless backstage areas and stumbling onto a street haunted by masked passers-by. Having convinced a fireman to look after him and his explosives, he tells him and the silence around him of his disgust with, amongst other things, the Heideggerians, the lack of punctuality, people who admire as opposed to respect and the State’s appropriation of children. In the overlapping of film and theatre, despair and survival, 1980s Austria and 2020s France, Bernhard’s text gains fresh resonance, “…and as far as culture is concerned, in this country your stomach is only there to churn.”

Creators(az)

The film tells about the study of the cruel impact of the communist-bolshevik ideology on the cultural heritage and the way of thinking of Azerbaijan against of the background of the life and work of Mikayil Huseynov and Sadyq Dadashov - the great Azerbaijani architects of the 20th century.

Behind the Rage: America's Domestic Violence(en)

In America, most female homicide victims are killed by their current or former partner and one in 4 women experience domestic violence or abuse. In this special documentary for ITV's acclaimed Exposure strand, the Bafta and Emmy-winning filmmaker Deeyah Khan asks a simple question : is it possible to reduce these endemic levels of male violence? In search of an answer, she hears heartfelt testimonies from survivors and victims’ families, and gets vital insights from social workers and psychologists who work with violent men. And she speaks to those whose voices are rarely heard in conversations about domestic violence yet hold the key to stopping it: the perpetrators themselves.