My Grandmother Trelotótó(2019)

Las Preguntas que Perdimos(es)

PsiQuis: Un Giro Decolonial(es)

PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.

Memória de uma Criança Afogada(pt)

Ghost Hunt: Paranormal Encounter at Burlington County Prison(en)

Is the Burlington County Prison Museum haunted? Do the spirits of executed prisoners continue to roam its halls? The answer will shock you! A group of paranormal enthusiasts entered the Burlington County Prison, in Mount Holly, New Jersey, to capture photographic, video and audio evidence in hopes of validating eyewitness testimony.

Haunted Jamaica(en)

Why are there so many ghosts on the island of Jamaica? Why is the island so notoriously haunted by tales of voodoo and dark mystical lore? "Haunted Jamaica" seeks to answer these questions ...

Haunted England(en)

Calm down dear, it's only an apparition! A picturesque travelogue takes a creepy turn in this delightfully kitsch look at famous haunted castles across England, directed by Michael Winner. Filmed in beautiful Eastmancolor, this fun, spooky short sees Anne Boleyn trailing the gardens of Norfolk's Blickley Hall, while Wild Lord Edric, betrayed by William the Conqueror, roams the Stiperstones. Elsewhere, Lord Bath welcomes a clairvoyant to investigate Longleat's Grey Lady.

The Noise of Time(es)

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Africa Blood and Guts(it)

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

So They Won't Say We Don't Remember(uk)

The short film is based on events surrounding a 1977 mining accident in the Donbas region that ultimately led to the mine’s closure. In the film, locals, artists, and curators traverse the surface, paralleling one of the underground routes of the Novator mine. The procession ends at the monument to the dead miners, which is located just above the site of the underground accident that led to the death of the workers. Participants walk across the postindustrial landscape of Donbas, over the plowed fields, by bushes and courtyards, connecting the ground and the underground spaces through the choreography of their bodies.

Kasama Kang Tumanda(tl)

A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.

Timuti(iu)

In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Land der Bitterkeit und des Stolzes(de)

A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.

Carnations(en)

Seven strangers are interviewed to talk about the relationship they have with their mother.

Hacking at Leaves(en)

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

In the Shadow of the Serengeti(en)

A Maasai human rights lawyer fights to stop the evictions of his people from their homelands in Tanzania. On the outskirts of Serengeti National Park in East Africa, Maasai face eviction from their land to make way for international tourism and hunting grounds. Human rights lawyer Joseph Oleshangay campaigns for his community to remain on its homeland as it has done for generations. While he represents Maasai communities in court, Joseph also remains close to his traditions among the cattle at his rural home near the Ngorongoro Crater. Risking his life to gather evidence from recently depopulated villages, Joseph battles in court where he leads the fight to resist the evictions.

Colonial Times(es)

Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present. Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.

Etched in Bone(en)

Drawing on original footage from National Geographic, Etched in Bone explores the impact of one notorious bone theft by a member of the 1948 American-Australian Scientific Expedition to Arnhem Land. Hundred of bones were stolen and deposited in the Smithsonian Institution in Washington DC, until it became known to Arnhem elders in the late 1990s. The return of the sacred artefacts was called for, resulting in a tense standoff between indigenous tribespeople and the Department of Anthropology at the Smithsonian.

Tricky Memory(en)

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

L'heure exquise(fr)

In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.