Wagner: Die Walküre(2017)

Mozart: Idomeneo Teatro Real de Madrid(de)

Mozart's "Idomeneo" is a work about love, hate, jealousy, war and destruction. It shows in a disturbing way the musical genius of the Salzburg composer. Each figure is characterized individually without losing sight of the musical whole. In a way, "Idomeneo" anticipates Wagnerian techniques in composition. The direction of this production at Madrid's Teatro Real was in the proven hands of Robert Carsen, who brings the work to the stage in a contemporary, modern and very disturbing way. Under the sovereign direction of Ivor Bolton, Eric Cutler, David Portillo, Anett Fritsch and Eleonora Buratto are among the singers.

Teacher's Pet(en)

A rugged city editor poses as a journalism student and flirts with the professor.

Spring(ru)

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

Box(en)

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Restless(en)

Two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love.

Phil Spector(en)

A drama centered on the relationship between Phil Spector and defense attorney Linda Kenney Baden while the music business legend was on trial for the murder of Lana Clarkson.

New Fist of the North Star: When a Man Carries Sorrow(ja)

Destruction and betrayal take center stage in the latest installment of the New Fist of the North Star series. When Kenshiro returns to find the city in ruins and its citizens tormented, his pain is compounded when he is betrayed and imprisoned by Tobi. As Tobi prepares a brutal assault on Seiji, Kenshiro must summon all of his strength to break free and take put a halt to his former friend's destructive scheme.

Alice(en)

Alice Tate, mother of two, with a marriage of 16 years, finds herself falling for a handsome sax player, Joe. Stricken with a backache, she consults herbalist Dr. Yang, who realizes that her problems are not related to her back, but in her mind and heart. Dr. Yang's magical herbs give Alice wondrous powers, taking her out of her well-established rut.

The Making of 'Mad Max Beyond Thunderdome'(en)

Follows the cast and crew of Mad Max Beyond Thunderdome filming in the heat and dust of central Australia.

Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn(en)

This is yet another telling of the adventures of Tom Sawyer and Huckleberry Finn as the two try to clear their friend Jim of murder charges.

The God Who Wasn't There(en)

Did Jesus exist? This film starts with that question, then goes on to examine Christianity as a whole.

Good Luck Charlie, It's Christmas!(en)

Teddy Duncan's middle-class family embarks on a road trip from their home in Denver to visit Mrs. Duncans Parents, the Blankenhoopers, in Palm Springs. When they find themselves stranded between Denver and Utah, they try to hitch a ride to Las Vegas with a seemingly normal older couple in a station wagon from Roswell, New Mexico. It turns out that the couple believes they are the victims of alien abduction. The Duncan's must resort to purchasing a clunker Yugo to get to Utah, have their luggage stolen in Las Vegas, and survive a zany Christmas with Grandpa and Grandma Blankenhooper.

Los sueños perdidos (1905-1909)(en)

Chapter 2 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life between 1905 and 1909, seventh presidency period of Porfirio Diaz.

Valley of the Wolves: Palestine(tr)

After the Freedom Flotilla attempts to bring humanitarian assistance to Gaza refuses to turn back, it is attacked by the Israeli military. In a dramatic battle scene, activists resist and are killed by the Israeli soldiers. A Turkish commando team led by Polat Alemdar (Necati Şaşmaz) travels to West Bank in Palestine, where they launch a campaign against Israeli military personnel in an attempt to track down and eliminate an Israeli general, leader Moşe Ben Eliyezer (Erdal Beşikçioğlu), who is the responsible for the flotilla raid.

The Last Farm(is)

An Oscar nominated Icelandic short film about an old man who might leave his farm but keeps a secret.

Medidas Extremas(pt)

When New Year Comes on Shabbat(en)

A cinematic collage about people caught between two worlds. An empathetic look at a physical journey and the melodramas of a journey that is spiritual. Nikita Pavlov emigrated from Russia to Israel because he always wanted to experience life in another country. Street protests, political activism, and his daughters first steps are captured without any chronological context, separated only by Pavlovs thoughts and ideas. A cinematic diary that attempts to piece together a hypothetical picture of the filmmakers future.

In from the Cold? A Portrait of Richard Burton(en)

Tony Palmer's award-winning feature-length documentary profile of Richard Burton.

The Shift(en)

Anna, an agency worker, takes her dog for a morning walk before doing her shopping. Searching through the discounted items, Anna wanders through the supermarket trying to find the most affordable necessities. As her groceries edge towards the checkout, her agency calls; she has lost her shift. What will she do? The Shift aims to capture the vulnerable condition of a temporary worker and to reveal the immediate consequences of the dangerously short and ever-present distance separating employment and poverty, security and tumult.

Interrupted Melody(en)

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

Death in Venice(en)

Benjamin Britten's 1973 opera, performed in 2008 at the Liceu Opera in Barcelona, Spain.

Orphee et Eurydice(en)

I usually don't like classic operas with modernized production and costumes. This one is an exception. The modernized twist is made to fit the story very well and makes watching this opera very enjoyable. Alagna as Orphee does a great job and and is more realistic than a female singer in the role. His impeccable french is an added bonus for french speakers like me. This is the version of this opera that you would want to watch without getting bored

Verdi Aida(en)

Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.

Janáček: The Cunning Little Vixen(cs)

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Mussorgsky: Khovanshchina(ru)

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

Shostakovich: Lady Macbeth of Mtsensk(ru)

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

The Great Waltz(en)

Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.

Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev(en)

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

Verdi: Otello(en)

Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).

András Schiff plays Bach(en)

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971

Arabella(de)

2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ

Farinelli(fr)

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Rigoletto(it)

A musical drama based on Giuseppe Verdi's opera Rigoletto.

The Art of Singing: Golden Voices of the Century(en)

Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.

Cosi Fan Tutte(it)

Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Kaufmann's Otello at the Royal Opera House(it)

On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.

La Finta Giardiniera(it)

The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.

Marcos Morau : La Belle au bois dormant(fr)