In May 1994, the Tate Gallery in London announced that it was going to create a huge modern art gallery in London. Instead of commissioning a new building from one of London's "star" architects, they made the controversial decision to award the contract to a small Swiss firm of architects, and convert a disused power station. Karl Sabbagh follows the team from conception to opening as they wrestle with decisions about design, construction and art as well as people and internal politics. From schedule delays to a faulty staircase; asbestos in the roof to resigning construction managers, Sabbagh tells the story of the process behind a rare success in public design and architecture.
In May 1994, the Tate Gallery in London announced that it was going to create a huge modern art gallery in London. Instead of commissioning a new building from one of London's "star" architects, they made the controversial decision to award the contract to a small Swiss firm of architects, and convert a disused power station. Karl Sabbagh follows the team from conception to opening as they wrestle with decisions about design, construction and art as well as people and internal politics. From schedule delays to a faulty staircase; asbestos in the roof to resigning construction managers, Sabbagh tells the story of the process behind a rare success in public design and architecture.
2000-04-01
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Tracing the often troubled history of the conversion of London's Bankside power station into the new Tate Gallery of Modern Art.
Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.
A short documentary on how people view art and its value in today's society.
This is the amazing story of how a group of reclusive Rhineland experimentalists became one of the most influential pop groups of all time - a celebration of the band featuring exclusive live tracks filmed at their Tate Modern shows in London (Feb 2013), interwoven with expert analysis, archive footage of the group, newsreel of the era and newly-shot cinematic evocations of their obsessions. With contributions from Derrick May, Holger Czukay, Francois Kevorkian, Neville Brody, Paul Morley, Peter Boettcher, Caroline Wood and more.
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.
The powerful story of the Vegas Golden Knights in their very first year of existence, when they healed and unified their home city after the worst mass shooting in U.S. history and took an unprecedented run for the Stanley Cup.
Who is Koca Popovic? Artist, poet, surrealist, philosopher, warrior, general, cynic, statesman, spoiled son of a rich man, genius war leader or a bon vivant? A Serb who learned French language before his own, a convinced communist who made fun of the communist dogma, sportsman, vice-president of Yugoslavia who drove to work in his Spacek? Answers to these questions could be: all of this and none of it really. In fact, who is Koca Popovic remains a mystery even today. A mystery that this film will at least try to unravel.
The wonders of nature are viewed from the backyards of communities across the nation.
Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.
The series explores the transformative years following the American Civil War, when the nation struggled to rebuild itself in the face of profound loss, massive destruction, and revolutionary social change. The twelve years that composed the post-war Reconstruction era (1865-77) witnessed a seismic shift in the meaning and makeup of our democracy, with millions of former slaves and free black people seeking out their rightful place as equal citizens under the law. Though tragically short-lived, this bold democratic experiment was, in the words of W. E. B. Du Bois, a ‘brief moment in the sun’ for African Americans, when they could advance, and achieve, education, exercise their right to vote, and run for and win public office.
Approximately ten minutes of 35mm footage survives at the Svenska Filmminstitutet from a documentary (probably not completed or even edited) shot in the convent of the Swedish sisters of Saint Brigid, Rome, at the request of the Swedish Red Cross, for victims of the Polesine flood of November 1951.
An investigation into the story of a man who confessed to firing the fatal shot that killed JFK from the Grassy Knoll in Dealey Plaza, Dallas, Texas, on November 22, 1963. His story becomes one more compelling piece of evidence for what most Americans have long suspected: that their government covered up critical facts about the CIA's collaboration with Organized Crime to assassinate the President of the United States.
When Hitler committed suicide in his bunker in Berlin, he managed to do what many others had tried to do for 20 years. This film explores how the fate of Europe and countless lives may have been very different if it hadn't been for the luck of the devil.
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
A fascinating look at the high-speed, high-power trading floor of Chicago Mercantile Exchange Inc. Director Jon Else explores this hectic, noisy, seemingly chaotic workplace with his signature style -- eschewing narration in favor of long, real-time shots that bring the viewer right into the heart-stopping action of the trading floor. He reveals the traders' sudden wealth, sudden disaster, and grace under pressure as they exchange billions of dollars in futures and options contracts - for cattle, pork bellies, Eurodollars and the Nasdaq-100 futures. Also revealed is the endangerment of the open outcry trading system as the digital revolution replaces it at many of the world's financial exchanges.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Megacities is a documentary about the slums of five different metropolitan cities.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.