A look at the production and enduring popularity of a modern trash classic from those bad boys behind 1992's Basic Instinct, the infamous screenwriter Joe Eszterhas and the envelope pushing director Paul Verhoeven. In 1995, their next film collaboration, Showgirls, was unleashed upon the world.
A look at the production and enduring popularity of a modern trash classic from those bad boys behind 1992's Basic Instinct, the infamous screenwriter Joe Eszterhas and the envelope pushing director Paul Verhoeven. In 1995, their next film collaboration, Showgirls, was unleashed upon the world.
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This ultra-kitsch documentary goes behind the scenes at Murray's Cabaret Club, where Christine Keeler was later a showgirl.
Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
Fresh to Las Vegas with no connections, Nomi Malone takes a job as an exotic dancer. Her talents are quickly noticed by Cristal, a headlining dancer who senses an opportunity to bolster her own act. But Nomi won’t play second fiddle and soon begins her venomous path to the top, ruthlessly backstabbing anyone who gets in her way.
The film is about a group of Las Vegas sexy showgirls who are undercover agents working with a former C.I.A. agent to stop a terrorist attack.
Five closely knit showgirls sign a pact to reunite one year after the closing of their Broadway production, but the lives of all five take many different turns, often for the worse.
In the Brazilian thriller Níobe, Rita (Barbara França) and a group of six other luxury call girls are hired by an important businessman to entertain the guests of an important business meeting for one night. The purpose of the meeting - which includes the presence of a president of the republic and its main general - is to bribe an opposition deputy to obtain approval for mineral exploration in indigenous territory. However, the plan does not go as expected and, after all, the future of the country may be in the hands of the seven call girls.
Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.
Tito Lombardi a Fifth Avenue dress designer, causes his business to suffer by his generous dispensation of credit to clients, one of whom, Max Strohm, the manager of a musical review, has promised payment for his girls' lavish costumes as soon as the show makes money. To the dismay of Norah Blake, Lombardi's faithful assistant, who loves him, Lombardi proposes to Phyllis Manning, one of the showgirls, and presents her with his finest creations, while not even attempting to kiss her, as she puts off setting a wedding date and also accepts the attentions of wealthy bachelor Bob Tarrant.
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.
The powerful story of the Vegas Golden Knights in their very first year of existence, when they healed and unified their home city after the worst mass shooting in U.S. history and took an unprecedented run for the Stanley Cup.
Who is Koca Popovic? Artist, poet, surrealist, philosopher, warrior, general, cynic, statesman, spoiled son of a rich man, genius war leader or a bon vivant? A Serb who learned French language before his own, a convinced communist who made fun of the communist dogma, sportsman, vice-president of Yugoslavia who drove to work in his Spacek? Answers to these questions could be: all of this and none of it really. In fact, who is Koca Popovic remains a mystery even today. A mystery that this film will at least try to unravel.
The wonders of nature are viewed from the backyards of communities across the nation.
Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.
The series explores the transformative years following the American Civil War, when the nation struggled to rebuild itself in the face of profound loss, massive destruction, and revolutionary social change. The twelve years that composed the post-war Reconstruction era (1865-77) witnessed a seismic shift in the meaning and makeup of our democracy, with millions of former slaves and free black people seeking out their rightful place as equal citizens under the law. Though tragically short-lived, this bold democratic experiment was, in the words of W. E. B. Du Bois, a ‘brief moment in the sun’ for African Americans, when they could advance, and achieve, education, exercise their right to vote, and run for and win public office.
Approximately ten minutes of 35mm footage survives at the Svenska Filmminstitutet from a documentary (probably not completed or even edited) shot in the convent of the Swedish sisters of Saint Brigid, Rome, at the request of the Swedish Red Cross, for victims of the Polesine flood of November 1951.
An investigation into the story of a man who confessed to firing the fatal shot that killed JFK from the Grassy Knoll in Dealey Plaza, Dallas, Texas, on November 22, 1963. His story becomes one more compelling piece of evidence for what most Americans have long suspected: that their government covered up critical facts about the CIA's collaboration with Organized Crime to assassinate the President of the United States.
When Hitler committed suicide in his bunker in Berlin, he managed to do what many others had tried to do for 20 years. This film explores how the fate of Europe and countless lives may have been very different if it hadn't been for the luck of the devil.
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.