Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.
Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.
2016-03-16
3
13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.
A film about the unprecedented Swiss grassroots movement of regular citizens who rise to aid thousands of refugees stranded at the European borders. In rich and safe Switzerland people from all backgrounds leave their regular life behind to support people in need. There is a Swiss farmer and his wife who keep cows in the Swiss Alps, a former commander of the Swiss Army, an elder rich lady residing at the lakeside, and a successful comedian and entertainer. These unexperienced volunteers take on an adventure that will change their lives forever.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.
More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.
Based on a poem by a Zimbabwean LGBT activist written in response to the gay hate speech that is being perpetuated president Robert Mugabe. The film was shot in South East London UK with a cast of six women from several African countries playing multiple roles in this portrayal of being a lesbian in homophobic Zimbabwe. Five of the actors and the producer are refugees who fled their countries in fear of persecution for their sexuality.
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.
Part road-movie and part intimate portrait of lives in transit, IT WILL BE CHAOS unfolds between Italy and the Balkan corridor, intercutting two unforgettable refugees stories of human strength and resilience.
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
In the nine months prior to World War II, 10.000 innocent children left behind their families, their homes, their childhood, and took the journey... to Britain to escape the Nazi Holocaust.
Drawing inspiration from his personal encounter with the Italian refugee child Giovanna during World War II, Markus Imhoof tells how refugees and migrants are treated today: on the Mediterranean Sea, in Lebanon, in Italy, in Germany and in Switzerland.
The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.
A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
A courageous pastor uses his underground network to rescue and aid North Korean families as they risk their lives to embrace freedom.
A stark portrait of a town in decline. Brilliant juxstaposition between the scoff faced English day trippers searching for cheap booze, and the cold, snivelling asylum seekers existing on the streets. Thrown into the mix are two English ex pats, trying to make money against the odds.
Escaping a refugee life from war-torn Syria sparks hope for a family looking to adapt to an American life.
Within a few months, the Kutupalong refugee camp has become the biggest in the world. Out of sight, 700,000 people of the Rohingya Muslim minority fled Myanmar in 2017 to escape genocide and seek asylum in Bangladesh. Prisoners of a major yet little publicized humanitarian crisis, Kalam, Mohammad, Montas and other exiles want to make their voice heard. Between poetry and nightmares, food distribution and soccer games, they testify to their daily realities and the ghosts of their past memories. Around them, the spectre of wandering, waiting, disappearing. In this place almost out of space and time, is it still possible to exist?