Summer(2017)

She Had Her Gun All Ready(en)

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

Blow-Up(en)

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

WINDER(en)

Preferring to shower with clothes on, they wait patiently for an evening with Winder, a living movie camera. Made as an exercise activity for Capilano University.

Endless Sea(en)

Endless Sea is a textural, oneiric exploration of the inability to escape captured within the confines of Grand Theft Auto: Andreas.

Into the Meridian(en)

A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.

Dawn(tr)

Heper's 7-minute short "Dawn" follows, in a single space between two windows, a triangular love relationship of three people.

69SEC(fr)

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

Finds Itself in Corners(en)

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Lahemaa(en)

This film was made with the help of a diary, video tapes and a roll of film found in the Lahemaa forest. The owner has been reported missing

Permanent Shadows(en)

A teenager decides to shut himself off from the world around him after receiving bad news.

Meshes of the Afternoon(en)

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

The Redeye Tapes(en)

The events following a surreal network hijacking thrust several characters into a crisis of existential proportions. Leading them on a collision course of human consciousness, technological evolution, and divine horror where fragmented identities dissolve and reconfigure in frenzied kaleidoscopic mania rapidly careening towards oblivion.

Dyketactics(en)

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)

HER(de)

Somewhere between dream, life, and death, a girl sees HERself confronted with HER images of two important people in HER life and HERself.

Sleep Has Her House(en)

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

Hinterlands(en)

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

Estrelas(pt)

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go(en)

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Hermitage(it)

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

Always Aching & Bending Back(en)

Slowed, stowed, achingly retold.