
In this documentary, filmmaker Daniel Raim delves into Yasujiro Ozu's remarkable late work, in which the master made the leap from black and white to color. In his stirring tribute to the great filmmaker, Raim examines Ozu's life and work through archival treasures such as his diary and the red teakettle from the family drama "Equinox Flower" (1958); sits down with Ozu's nephew and the producer of the director's gently elegiac final film, "An Autumn Afternoon" (1962); and interweaves many scenes and images from the vibrant and humane films with which the director capped his career.

(Himself)
(Himself)
(Himself)

In this documentary, filmmaker Daniel Raim delves into Yasujiro Ozu's remarkable late work, in which the master made the leap from black and white to color. In his stirring tribute to the great filmmaker, Raim examines Ozu's life and work through archival treasures such as his diary and the red teakettle from the family drama "Equinox Flower" (1958); sits down with Ozu's nephew and the producer of the director's gently elegiac final film, "An Autumn Afternoon" (1962); and interweaves many scenes and images from the vibrant and humane films with which the director capped his career.
2018-04-16
7
6.8Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.
5.0A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
Against the backdrop of unprecedented gun violence, Reggie Yates travels to Chicago to investigate gun crime in President Obama's adopted hometown.
10.0A man wakes up in an endless white void, unable to remember how he got there, he soon encounters an A.I. who takes the man through old memories of himself until he realizes his tragic purpose in the white room.
The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.
0.5Periya Thambi (Vijayakumar) and Chinna Thambi (Rajan P. Dev) are brothers and owners of a company. Gopalakrishnan (Jayaram) is from a poor family, despite being a graduate, he cannot find a job. To support his family, he becomes the driver of Periya Thambi and Chinna Thambi. Periya Thambi's daughter Lakshmi (Devayani) and Chinna Thambi's daughter Priya (Mantra) fall in love with Gopalakrishnan. What transpires later forms the crux of the story.
5.0The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.
10.0On a sunny day, the glorious Bike God walks across the Earth's soil and faces one of his greatest enemies, the Car God, in an epic battle that will go down in history.
6.7Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?
5.2After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.
7.0Anjelica loves everything old-fashioned and vintage, but when she buys an antique bathtub from a dead person's estate, she learns that some old things have more soul than others.
9.5The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
6.0In a professional school a girls and boys brigades are competing to finish the big order in time.
7.0A man babysits his girlfriends kid, and after a short while screams come from her room. Apparently she believes there's a monster under her bed.
8.0Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.
3.7When Miranda makes bad decisions about her love life, a possessed tampon enters to take care of business.
2.7A young boy must prove his masculinity to his father while he pines for a young man in the homophobic Guyanese countryside.
7.5People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
6.9Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
0.0Capturing Water delves into Cape Town’s escalating water crisis, a growing emergency in recent years. As pollution of natural water sources worsens and industrial and urban developments threaten access to clean water, government responses remain inadequate.
Follows Isabella Grace Cohn as she works to understand and expose the roots of sexual harm — her peers’, her mother’s, and eventually her own. Along the way, she meets diverse survivors, perpetrators, and experts. Together they explore the cultural, educational and legal gray areas that fuel the cycle of harm in a quest for hope and transformation.
0.0Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.
During the era of President Soekarno, several students were selected to study abroad, including Awal Uzhara, Sjumandjaja, Ami Priono, and Zubair Lelo. They were sent to Russia to study cinematography at VGIK (The Gerasimov Institute of Cinematography). Sjumandjaja and Ami Priono went on to become famous directors in Indonesia, but Awal Uzhara never had the same fortune. After completing his Master's degree in Moscow around 1965, political instability in Indonesia arose. The country's background, where Awal had studied, became associated with a negative stigma about communism, which was linked to him.
0.017-year-old Ali Allouche, who is battling cancer, binges on food shows during his chemo treatments. Inspired by Anthony Bourdain’s "Parts Unknown," Ali plots a cross-country adventure to visit innovative chefs and immerse himself in America’s rich food culture.
0.0Toby Hadoke visits Brian Clemens widow and sons to discusses his life and career.
7.2At the height of the space race, three U.S. astronauts are tapped as the first Apollo crew. With dazzling archival footage and exceptional access, this riveting documentary explores the tragic events that followed, shaking NASA to the core.
A documentary following the production of a daily newspaper.
0.0Sarah and Kate find themselves as activists amid a war for reproductive rights in Florida and beyond. Together, they are more than business partners. They are best friends who find strength in one another to continue their hard work.
0.0When her mother decides to sell their house, decolonial writer Julietta Singh returns to her childhood home on the Assiniboine River to say goodbye. As Singh listens to the stories embedded in its walls, the house reveals 140 years of overlooked histories—Japanese, Deaf, Métis, Indigenous, and Irish women whose lives, like Singh’s, were shaped by resistance and care. In this genre-defying, cross-community film, the home becomes more than a personal archive, transforming into a site of radical feminist possibility.
Farmer John Peterson returns to talk about Angelic Organics farm and its connection to the arts and Rudolf Steiner’s philosophy.
7.0In 1973 Bob Marley and the Wailers found themselves stranded on the West Coast of the United States after being asked to leave the Sly & The Family Stone tour for outperforming them every night. To make the best of the situation the band made their way to Los Angeles where they performed this recording session at the famed Capitol Studios. Bob Marley, Peter Tosh and Joe Higgs lead the Wailers in a seminal performance filmed with four cameras at the Capitol Records Tower on October 24, 1973. Meticulously restored and long believed lost, the previously unseen live session documents the reggae legends at a crucial moment in their career.
0.0The struggle to pass the 1967 Abortion Act and its continued ramifications to the present day. Featuring never before broadcast interviews with women who had backstreet abortions, those in the medical profession on both sides of the debate, and the politicians and campaigners who were at the forefront of the law on illegal abortion being changed.