
This remastered, rare, local production from the 80s is an unfiltered look into the mind and heart of the world-renowned folk artist Howard Finster. Walking and talking in his Paradise Garden, Finster gives insight into his visions, Faith, and artwork. He even sings and plays the banjo. Dr. George Pullen interviews Finster. And in this case, the word "interview" means that Dr. Pullen just lets Finster talk. And it's pure gold.
Self

This remastered, rare, local production from the 80s is an unfiltered look into the mind and heart of the world-renowned folk artist Howard Finster. Walking and talking in his Paradise Garden, Finster gives insight into his visions, Faith, and artwork. He even sings and plays the banjo. Dr. George Pullen interviews Finster. And in this case, the word "interview" means that Dr. Pullen just lets Finster talk. And it's pure gold.
1980-01-01
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8.5“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)
0.0In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles's journey in the hope of unravelling one of the greatest mysteries in British art.
7.3When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. This will be the start of a very unusual friendship. Over three years, the cinematic documentary follows the incredible story of the artist looking for her stolen paintings, while at the same time turning the thief into art.
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
7.7Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.
6.6"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
0.0Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
6.6The story of the black, gay origins of rock n' roll. It explodes the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard's complicated inner world, the film unspools the icon's life story with all its switchbacks and contradictions.
0.0A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.
0.0An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.
7.2What does modern art mean for ordinary visitors to an exhibition?
8.0The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
0.0From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.
0.0A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.
In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.
8.0An extraordinary voyage of discovery to see the most impressive collection of works of art built up over two thousand years of history. VATICAN MUSEUMS 3D, a SKY production in collaboration with the Vatican Museums Directorate, for the very first time brings Ultra HD 4K/3D film cameras inside the Vatican Museums and the Sistine Chapel, to show the masterpieces in these collections as they have never been seen before.
3.3Documentary celebrating the LGBTQ contribution to the arts in Britain in the 50 years since decriminalisation. It features interviews with leading figures from right across the arts in Britain, including Stephen Fry, David Hockney, Sir Antony Sher, Alan Cumming, Sandi Toksvig, Jeanette Winterson, Will Young and Alan Hollinghurst, and it explores the distinctive perspectives and voices that LGBT artists have brought to British cultural life.
6.2A documentarian strikes up an odd friendship with reclusive 80 year old outsider artist Al Carbee, whose strange Barbie-doll photography gains acclaim and interest over the course of the project's multi-year history. Far beyond a portrait of an eccentric, Magical Universe is about wonder, friendship, and the transcendent power of creativity