
January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.


January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.
2017-03-28
3.5
This short film combines footage of the chokehold death of Eric Garner at the hands of the New York City Police Department and an interview with an acquaintance of his.
0.0How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.
0.0Between psychosis, delusions of persecution and trauma, A finds himself at an interface between past and present after a stay in hospital. What is still reality and what is a fearful manifestation of traumatic encounters? By confronting herself with old diary entries, she tries to come to terms with the emotional maelstrom. The breaches of trust from her youth keep pushing their way to the surface in her current relationships and make it difficult to grasp happiness.
10.0In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
7.1Chronicles the fascinating and often turbulent life of Townes Van Zandt.
6.5A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
0.0"Surrounded by dozens of soldiers like me, I was led by bus to a remote camp in the desert, a place I knew nothing about. As a military photographer, I collected fragments of moments in my photos, serving as solid evidence for me." Shivtown is the story of an ordinary soldier who, in an intimate and courageous act, revisits memories from his military service through the still images he captured with an analog camera.
3.9Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
3.5The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
3.6Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.
3.3A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
3.3A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
5.6One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.
0.090's era home videos of a Mexican father starting a new life in the United States
0.0Seven strangers are interviewed to talk about the relationship they have with their mother.
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.