This unfinished, never-released 1922 Alfred Hitchcock-directed film was about low-income residents of a tenement building.
Jeana does IT for the Sacramento Fire Department. She and Tom, a self-confident local TV news reporter, are about to go on a cruise to Rio when he lets slip on TV that she is a virgin. It's a slow news week, so this becomes a story: the media pursue Jeana, she breaks up with Tom and wants the tickets or her cruise money back, and Tom can't believe she's serious. Her path crosses that of Paul, a photographer recently arrived from Texas who's also Tom's cameraman; he's had six serious relationships that have ended with his heart broken. A triangle of sorts develops. Will Jeana end up with either man? Will she end up on the cruise? And what about that minor thing?
A teenaged boy transforms from a ‘fashion terrorist' to a 'fashion king' in order to win the heart of the prettiest girl in school. The story is about high school boy Ki-myung, who has a crush on the prettiest girl in his class and opens his eyes to fashion in order to become the best dressed person in the world.
The wedding of Kornel, a young, well known TV scientist, to the famous singer, Alicja, is to be the social event of the year. In the suburban reception hall, the final preperations are being made. The waiter, Tytus, who is somewhat touchy having just found out he is to become a father, lays out the cutlery on the tables.
When Young-min and Mi-young marry each other after they graduate college, they experience different challenges that test their relationship.
While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with – a woman whose rejection of him turned him into a ferocious womanizer.
Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
Egon escapes from the psychiatric ward, where he has been incarcerated since the gang's last coup. Keld and Benny pick him up, and when Egon, as always, is planning the big heist, the Olsen Gang is once again on the move.
Being one of 101 takes its toll on Patch, who doesn't feel unique. When he's accidentally left behind on moving day, he meets his idol, Thunderbolt, who enlists him on a publicity campaign.
Rick Rambis and his friends are having the time of their lives on Bull Mountain—until the legendary Papa Muntz' son decides to sell the mountain to a sleazy land developer, have the staff fired and turn Bull Mountain into 'Yuppieville'.
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.
After seven years of marriage, a couple of professional workers (he, a doctor and she, a banker) try to refresh their sex life.
So-hwi is a martial arts prodigy and college student. Realizing that her superhuman strength is holding back her love life, she decides to quit martial arts to pursue handsome hockey player Joon-mo. But Joon-mo is in love with an older woman, and when So-hwi's mystical martial arts community comes under threat from an old enemy, Heuk-bong, her childhood friend Il-yeong must persuade her to return.
The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.
To be a fond and devoted parent, and to be unable to play with the heaven of your heart is indeed a cruel decree. That was the case of Papa Binks, but he outwitted Mrs. Binks and the nurse in a very effective, yet unostentatious manner, while he and the baby had the time of their lives.
William Lowry rescues Claudia Royce from a burning building, and upon hearing that her parents are trying to force her to accept millionaire Leland, whom she does not love, he proposes a marriage of convenience to himself. She accepts, and Bill arranges a fake ceremony; but when she falls in love with Davidge, Bill refuses her a "divorce." Later, Bill gets rich in the manufacture of a patented fireman's pole, and when he buys a house for Claudia she realizes her love for him and they are legally married.
Anna Louise is tired of her life as a housewife in the country. So she seizes the opportunity when the vagabond Nick randomly rings the doorbell. She invites him in, and together they do all the work in the summer villa after the maid is sent on vacation. Anna Louise starts raising Nick, but soon the roles are reversed, so that Nick is raising Anna Louise. Then Anna Louise's husband arrives and he has difficulty handling the situation. Anna Louise and Nick leave the summer house together, with Anna Louise staying in the house maid's room without her husband's knowledge.
These intertwining stories about romance and separation follow a firefighter who can't find the right time to propose, a shy theme park worker who falls for an artist, an estranged mother and son, and a man seeking to regain his lost love.
Doug and his pal Skeeter set's out to find the monster of Lucky Duck Lake. Though things get really out of hand when some one blurts out that the monster is real.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.