1998-09-28
0
It is a Zeki-Metin comedy that satirizes the bans in the Republic of Turkey.
Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.
Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.
Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.
When Lambodar Bhatt is given the opportunity to have his soul transported into King Nand’s body, he thinks of it as a way to make things right and become rich. However, once Lambodar becomes the King, he finds himself turning into the same exploitative and frivolous king that Nand was.
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.