Cloud Waltzing(1987)

Diary for My Loves(hu)

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

Cher... and Other Fantasies(en)

Cher... and Other Fantasies is a 1979 prime time network special starring singer and actress Cher, featuring songs from her latest album "Take Me Home". In this special, Cher finds herself trapped in a strange building, where various fantasies await her behind every door. The memorable opening number “Aint Nobody’s Business” sees Cher on a tour of fashion from Eve in the Garden of Eden to disco at Studio 54 all while parading in dozens of stunning Bob Mackie creations. There's also a roller skating fantasy sequence and a second Garden of Eden moment when Andy Kaufman shows up as Adam and Cher plays the snake. Elliot Gould guest stars as a painter who resides in the building, Shelley Winters turns up in a skit about acting and Lucille Ball plays a cranky old washerwoman. To date this is Cher's last traditional variety-format special. The program was nominated for a 1979 Primetime Emmy Nominee for Outstanding Costume Design for a Limited Series or a Special for Bob Mackie and Ret Turner.

Autumn Leaves(zh)

The Vow(ru)

The story of Stalin and the Soviet people.

Koga - A New Wind(en)

Few fighters can claim to have changed the face of their sport. Toshihiko Koga is one. The three-times World and Olympic champion invented his own incredible style of judo. Now, learn from Koga himself as he reveals the secrets to his success!

Cinématon XXXVIII(fr)

Reel 38 of Gérard Courant’s on-going Cinematon series.

Qwerty(en)

The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.

King of Ravens(de)

In the middle of the urban jungle, Darko, a young and handsome undocumented immigrant meets Alina, a mysterious woman who leads a steady life in Germany. Despite social and cultural differences, they share an immediate erotic connection. They start a passionate affair and very soon Darko finds himself absorbed in magnetic attraction.

Hard Guy Sniper(zh)

Romance of a Horsethief(fr)

Since time immemorial, the simple-minded boisterous people of Malava, a small Polish town near the border of imperial Russia, have lived on horse-stealing, horse-trading and horse-smuggling. Life changes abruptly when a Russian garrison, commanded by Captain Stoloff, occupies the town and, in the name of the Czar, requisitions all the horses for the Russian-Japanese War. With no more horses to steal, Kifke cannot afford to marry Estusha and all the young men in the village are likely to be incorporated into the Russian army. This state of affairs cannot continue and Zavill will take care of things.

Kill yourself on halloween(pt)

A movie about the blue ghost and missing people on halloween

Viola and Sebastian(de)

Starlight Hotel(en)

During the Great Depression, Kate (Greer Robson) is a 13-year-old girl living on New Zealand's South Island. When her mother dies and her father is offered a job in Wellington on North Island, Kate is sent to live with an aunt. The girl runs away to find her father, hopping onto a boxcar and befriending a fellow fugitive, Patrick (Peter Phelps), an emotionally battle-scarred WWI veteran fleeing the authorities after injuring a repo man. Pretending to be father and daughter, Patrick and Kate use each other for cover as they make their way across New Zealand, sleeping under the stars and championing the rights of destitute farmers and homeless squatters whose fortunes have been wiped out by economic hardship.

Strictly for the Birds(en)

A gambler tries to strike it rich at the racetrack but gets taken by a gorgeous blonde who also happens to be a crook.

Kids(de)

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.