Wayne Morris' B-western series was the last of its kind to be produced in Hollywood. Texas Bad Man casts Morris as a sheriff who happens to be the son of inveterate thief Frank Ferguson. Knowing full well that Ferguson's gang intends to steal a shipment of gold, Morris must stay up nights trying to second-guess his crafty dad. While there's no shortage of action, the resolution to the story relies more on brawn than brain. Western "regulars" Sheb Wooley, Myron Healey and Denver Pyle do their usual in secondary roles, as does Elaine Riley as the requisite (but hardly crucial) heroine.
Wayne Morris' B-western series was the last of its kind to be produced in Hollywood. Texas Bad Man casts Morris as a sheriff who happens to be the son of inveterate thief Frank Ferguson. Knowing full well that Ferguson's gang intends to steal a shipment of gold, Morris must stay up nights trying to second-guess his crafty dad. While there's no shortage of action, the resolution to the story relies more on brawn than brain. Western "regulars" Sheb Wooley, Myron Healey and Denver Pyle do their usual in secondary roles, as does Elaine Riley as the requisite (but hardly crucial) heroine.
1953-12-20
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Outlaw father against his sheriff son . . . in a gun fury story of the lawless west!
A gunfighter with a reputation as a fast gun almost kills an innocent child. He makes up his mind that he is not going to carry around loaded weapons anymore, but when he's asked to become sheriff of a lawless town, he compromises by carrying an unloaded pistol and relying on his reputation to keep order.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
A former sheriff begins to persecute the gang led by Pedro Ortiz, after his wife is taken away.
Lawyer Butler, wanting Jeff Carson's ranch, has the Sheriff and his gang frame the bank holdup on him. Then they kill a witness that could free Carson and blame the murder on his son Sunset. But Sunset escapes, frees his father, and then sets a trap to catch the real killers.
Stan Borden with the help of the stooge Sheriff is out to get the Toreno ranch. Kicking the peons off the ranch, they kill Miguel's father. Miguel then becomes the masked El Lobo and when Jim Lawrence arrives, the two team up to fight Borden and the Sheriff.
Bob arrives looking for the killer of his uncle. When the Sheriff chases him and his partner Rusty, Reno thinks they are the men he is looking for and takes them into his gang. There Bob finds his uncle's gun and knows he has found the right gang. However he realizes the gang has an unknown leader and he sets out to find him.
When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
In this western, a young man tries to walk the straight and narrow, but he is impeded by his past. The trouble begins when the young fellow flees his family's Texas dirt farm and becomes an outlaw. He is advised by one of the desperadoes to return home. The boy does, and with hard work, makes the farm successful. Harvest time rolls around. He is just about to celebrate when the outlaws ride up and force him to help them pull a local bank job. He refuses and kills the gang leader and his brother. Meanwhile, the boy's past is revealed to the town banker. Seeing that he truly has gone straight, the banker forgives him. The boy marries and lives with his lovely bride upon his land.
Bill Carson assumes the identity of gang leader Trigger Mallory in order to fool his gang and his girlfriend.
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
Singing sheriff enacts old west gun control to thwart outlaws and crooked judge.
A lost film. As described in a film magazine Exhibitors Herald on March 16, 1918: "a forest ranger known only as Headin' South (Fairbanks) goes forth in search of Spanish Joe (Campeau), a Mexican responsible for most of the treachery and outlawry along the U.S.-Mexican boarder. Headin' South gains quite a reputation as he goes along and finally believes himself worthy of joining Joe's band. in a whirlwind finish in which Joe is captured, Headin' South meets one of Joe's near victims (MacDonald) and falls in love with her."
A sheriff tracking a gang of rustlers discovers that one of them is the brother of his fiance.
Johnny Holliday, a charming American biker space outlaw, leads a motley wild bunch of rebel bandits in a collision course with legendary villain Kathulo to determine the fate of the galaxy. Along the way, Johnny also has to face off with Ramona Sanchez, a hot-headed childhood rival who now protects their town of Rio Bravo as a hard-ass hardcore cop, enforcing the law with an iron fist.
Small-town sheriff discovers that gun-fighting is the only way to clean up the town.
Chester Wooley and Duke Egan are travelling salesmen who make a stopover in Wagon Gap, Montana while enroute to California. During the stopover, a notorious criminal is murdered, and the two are charged with the crime.
Outlaw and self-appointed lawmaker Judge Roy Bean rules over an empty stretch of the West that gradually grows, under his iron fist, into a thriving town, while dispensing his his own quirky brand of frontier justice upon strangers passing by.
A singing cowboy clears a boy accused of murder by finding the real killer.