Conceived in 1922, conceptual design published in "De Stijl Nr. 5" (1923), but not realised until 1959.
Conceived in 1922, conceptual design published in "De Stijl Nr. 5" (1923), but not realised until 1959.
1959-01-01
0
In the 1920s, Man Ray directed four films which, although largely unknown by the general public, made him into a major figure in avant-garde cinema. His films were to be as radical as his images or objects. Included: Le Retour à la Raison, Les Mystères du Château du Dé, Emak-Bakia, L'étoile de Mer and collected shorts.
6.9Wayne gets a new rookie partner, Lanny, after his previous partner got the promotion he wanted. Lanny has to remind Wayne of the Spirit of Christmas and the importance of being an elf in Santa's Prep and Landing elite unit.
A Pop Art extravaganza by Fred Mogubgub from the late-1960s, innovative in the use of the quick cut, this film is a parade of pop icons of its time. Features a pre-Playboy, pre-N. O. W. Gloria Steinem.
6.2A man wakes up in a blue room. He's stuck and he can't escape. A window is his only connection to the outer world. It filters the reality in a very mysterious way.
6.5We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.
6.2A prophet who longed to look upon his deities. A daunting journey to a mountain peak. A confrontation with gods too powerful to name. This is the story that inspired Peter Rhodes, who worked as a filmmaker and artist during the 1920s. Few people know of his work, and it's only through luck and perseverance that we have been able to track down the elements for this "lost" film. Rhodes' films were created using silhouette animation, a technique perfectly suited to depict Lovecraft's mythic Dreamland stories. The filmmaker's involvement in New York City's occult and literary scenes provided him with a select audience for his work. Rhodes was especially influenced through his relationships with occultist Aleister Crowley and writer H.P. Lovecraft, but it was personal tragedy that moved him to produce "The Other Gods: A Tale of the Dream Cycle," his most powerful film.
5.2The second anime short based on Kyoto Animation studio mascot character Baja.
0.0Mahonri, the brother of Jared, is a righteous man in wicked Babel. After the tower of Babel is destroyed and the language of the people is confused, the Lord shows Mahonri how to build barges to carry the righteous across the sea to the Promised Land. When the brother of Jared asks the Lord to touch stones to light the barges, his faith is so strong that he receives a great revelation.
7.0Tugging Diary documents a footbridge over a year between August 2019 to January 2021. Due to social unrest and the uncertainty of various immediate happenings, both the internet and physical spaces act as critical communication platforms of its own during this period. As such, information can be circulated in the community more widely and rapidly outside of the existing mainstream media. As time goes by, these materials are continuously altered, some were renewed, while the others were removed, covered with paint, or overlaid by other information.
An animated comedy short from the 1920s. Preserved by the Academy Film Archive in 2008.
5.0An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.
0.0When Reynard the fox creeps silently from his den to the farm searching for food, it is the troll Tomten who keeps the farm animals safe and even manages to find something to feed a hungry fox.
10.0Mortals’ greatest fear is the fear of death. Lazarus Lives gives assurance that Jesus has all power over death. Jesus mourns Lazarus’ death and His friends witness the deep love He has for His friends. Martha and Mary’s tears of sorrow change to joy when their brother Lazarus’ life is restored and they understand the Savior’s promise of eternal life to all who believe in Jesus.
A poor artist accidentally discovers the use of blood to paint his works and now he's on the search for the perfect color.
"Mahou Tsukai Jiji" was created as part of a project promoting the relation between young and old people.
6.4Father, son, the lighthouse as the center of their lives. Both grow up, the son leaving every day to pursue his studies, then returning to an increasingly elderly father who welcomes him with the same warmth, taking him, as he has always done over the years, to the piano to play together.
A young man is clearing out his departed fathers’ estate. Among his belongings he finds a box with a most peculiar content: a jazz band! They start to follow him wherever he goes. What a nightmare!
0.0Black and white animation based on Munch's art of work. The image changes gradually and resembles at one point The Scream.
5.8Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.
7.4When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.