'Project Censored: The Movie' explores media censorship in our society by exposing important stories that corporate media fails to report/under report. Using the media watchdog group, Project Censored, as their road map, two fathers from California decided to make a documentary film that will help to end the reign of Junk Food News that Corporate Media continues to feed the American people.
'Project Censored: The Movie' explores media censorship in our society by exposing important stories that corporate media fails to report/under report. Using the media watchdog group, Project Censored, as their road map, two fathers from California decided to make a documentary film that will help to end the reign of Junk Food News that Corporate Media continues to feed the American people.
2013-04-12
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Ending the Reign of Junk Food News
What would American democracy look like in the hands of teenage girls? In this documentary, young female leaders from wildly different backgrounds in Missouri navigate an immersive experiment to build a government from the ground up.
Australia: Land Beyond Time takes viewers on a breathtaking journey back in time to witness the birth and evolution of a mysterious land that harbors remnants of Earth's earliest life and many of it's strangest creatures that exist nowhere else on the planet.
A documentary about a 15-day river-rafting trip on the Colorado River aimed at highlighting water conservation issues.
Straight Up: Helicopters in Action will take audiences on a series of aerial adventures. Fly along with skilled helicopter crews as they carry out sea and mountain rescues, apprehend drug smugglers, repair high voltage lines, save endangered animals, deliver humanitarian aid, and undertake a reconnaissance mission. Learn how helicopters are flown.
A look at the great wolf debate with comments and views from people on both sides. It also contains footage of Natives dressing up & doing tribal dances. The link between wolves, bison, and Native Americans; as well as white man's reasoning behind their determination to eliminate bison and wolves from the landscape.
The documentary film of the brief window of artistic freedom and democracy movement 1978 - 1982 following China's brutal cultural revolution.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.
A big-screen look into one of America's most successful entertainment industries, NASCAR racing.
12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.
This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
Solarmax is a 40-minute giant-screen documentary that tells the story of humankind's struggle to understand the sun. The film will take audiences on an incredible voyage from pre-history to the leading edge of today's contemporary solar science.
Eight years in the making, The Joe Show is a shocking and wildly entertaining documentary about America’s most controversial Sheriff, Joe Arpaio, and his ringmaster’s approach to modern media, politics and law enforcement. Joe's desire for fame changes democracy forever and the voters cheer as ratings soar. The Joe Show explores how Joe uses media and his role as Sheriff to make himself the most famous law enforcement officer in the world. Racism, sex crimes, illegal immigration, first amendment rights, deaths at the hands of his employees – even Obama’s birth certificate – are all issues Joe faces and spins. Featuring Larry King, Steven Seagal, Hugh Downs, Ted Nugent, Dan Ariely and Noam Chomsky A movie that will engage and enlighten both Joe’s detractors and supporters, the Joe Show takes a hard yet balanced look at how democracy can survive when persuading voters becomes more important than protecting them.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.