The Österman brothers have come to realize that they need a housekeeper. Oldest brother Kalle travel to town and return with the young and modern Anna.
The Österman brothers have come to realize that they need a housekeeper. Oldest brother Kalle travel to town and return with the young and modern Anna.
1945-09-20
0
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Michelle and Allen, who have reached the point in their relationship where they are considering next steps, decide to invite their parents to finally meet and to offer some understanding of why marriage works. Except the parents already know each other quite well, which leads to some very distinct opinions about the value of marriage.
Based on the Take That musical, five best friends have the night of their lives seeing their favourite boy band in concert. Twenty-five years later, their lives have changed in many different ways as they reunite for one more epic show by their beloved band, to relight their friendship and discover that maybe their greatest days are ahead of them.
Based on a play by Phoebe and Henry Ephron, "3 Is a Family" is a 1940s farce. Charlie Ruggles plays a hubby whose bungled business schemes force his wife, Fay Bainter, to enter the workplace. The couple's daughter, Marjorie Reynolds, shows up with her twin babies in tow. Son Arthur Lake arrives with his pregnant wife (Jeff Donnell). And overbearing maiden aunt Helen Broderick also decides to move in. Because his wife is away at work, poor old Charlie Ruggles is not only housekeeper, but nursemaid and servant as well.
María and Susana, two rebellious teenagers, spend the summer in a catholic camp. While they are grounded during a weekend, the most unexpected arrival in the most unexpected way will change their feelings about life, love and freedom.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.
A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.
Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.
Perky young Nanette attempts to save the marriage of her uncle and aunt by untangling Uncle Jimmy from several innocent but ensnaring flirtations. Attempting one such unentanglement, Nanette enlists the help of theatrical producer Bill Trainor, who promptly falls in love with her. The same thing happens when artist Tom Gillespie is called on for help. But soon Uncle Jimmy's flirtations become too numerous, and Nanette's romances with Tom and Bill run into trouble. Will Uncle Jimmy's marriage survive, and will Nanette find happiness with Tom, Bill, or somebody else?
The Marquise de Saint-Ange wants to marry her niece Nicole, but the young girl, put off by the chosen suitor, flees with her friend Jacques.
On an ocean liner, a nightclub singer tries to help a fellow American romance an English heiress who is being forced to return home to marry a man she doesn't love. The American must avoid his boss who is traveling on the same vessel and disguises himself as a gangster traveling with a minister who is, in fact, a disguised gangster on the lam.
A fake swami and his crooked business partner, hoping to buy the land that's targeted for a new airport, convince the property's owner that he hasn't long to live.
Honza Vavrinec (Rudolf Hrusínský) works in the investment department of a large office. One day he gets involved in the case of an unjustly convicted worker who mistakenly considers him a parliamentary deputy. Honza as a "deputy" interferes in the case and helps the worker. Encouraged by the success and possibly also out of love for the beautiful secretary Svatava (Blanka Bohdanová), the then shy and fearful Honza stands up for the chief of the department, Hofmánek (Ladislav Pesek), who has been removed from his position.