Shameless Propaganda(2013)

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Art as a Weapon(en)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Thanks Girls and Goodbye(en)

Documentary using archival footage, newsreels and contemporary interviews with women of the WW2 Australian Women's Land Army.

As If It Were Yesterday(fr)

Documents the little-known heroism of the Belgian Resistance who, during the Nazi occupation, hid over 4,000 Jewish children, rescuing them from deportation and extermination, , often risking their own lives. Directed by Myriam Abramowicz and Esther Hoffenberg, children of parents who spent the war in hiding, the film inspired the creation of The Hidden Child, a world-wide network of hidden children, which, for three decades, has organized reunions of hidden children with the families who hid them in Belgium during WWII.

Madame V. Monsieur S.(fr)

Betty Van Sevenant, a young resistance fighter from Bruges, arrested in March 1942, was declared "Nacht und Nebel". She recounts her deportation to the Ravensbrück and Mauthausen camps until liberation. Tobias Schiff, a Polish Jew from Antwerp, was deported with his parents to Upper Silesia on August 28, 1942, on convoy No. 25. His story begins upon arrival at Auschwitz-Birkenau and concludes with the liberation of the Bergen-Belsen camp. (2 x 26 min.)

Dude, Where's My Bus?(en)

Filmmaker Gio Petti takes an in-depth look at the city's troublesome transit system in his documentary, Dude, Where's My Bus?. His nearly 2 year-long independent investigation delves into the frustrations of daily commuters in Ottawa and more deeply explores the systemic issues plaguing OC Transpo and their effects on the community. Beginning in the South End Suburbs of Ottawa, Dude, Where's My Bus? peels back layers leading to a broader investigation into issues plaguing the once model transit system. From late buses in neglected areas of the city, sprawl and the greenbelt, to the ever more controversial Confederation Line and the P3 system that built it, Petti aims to explore the impact of policy missteps and broken promises on Ottawa's transit users, with an optimistic look to the future.

Teaching War(cs)

This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.

These were the reasons(en)

This film takes us into the harsh realm of BC's early coal mines, canneries, and lumber camps; where primitve conditions and speed-ups often cost lives. Then, the film moves through the unemployed' struggles of the '30s, post WWII equity campaigns, and into more recent public sector strikes over union rights.

The Great Patriotic War(ru)

This communist history film recalls the heroism of Soviet soldiers fighting the Nazis in World War II. Forty of the 236 cameramen used for the feature were killed during their mission filming the Red Army.

Crimean Conference(ru)

The Crimean (Yalta) conference of the leaders of the three powers - allies in the Anti-Hitler coalition was held from February 4 to February 11, 1945 in the Livadia Palace near Yalta.

Once My Mother(en)

Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.

Liberators Take Liberties(de)

Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.

Zeitgeist: The Movie(en)

A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.

BETWEEN(en)

Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.

Nowhere Land(en)

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

Victory in the West(de)

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

The Russia We Lost(ru)

The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy.

Festival Express(en)

The filmed account of a large Canadian rock festival train tour boasting major acts. In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.

Tilgi - men aldri glemme: Julius Paltiel(no)

Moskau 1941 - Stimmen am Abgrund(de)