The film deals with the rights of Japanese-Koreans -born in Japan but without Japanese passport or nationality- and the social rejection that they face if they don’t integrate completely, abandoning their Korean identity. The film’s main thread is the story of a Korean man, who in the times of the Japanese occupation of the Korean peninsula, is sent to Japan to fight along with the Japanese in the Philippines, but after the war and fearing discrimination, creates a Japanese identity for himself and manages to get married and have children without his family ever knowing about his origins for 50 years until he is arrested in 1985 for forging official documents and in suspicion of being a spy from North Korea. (…) © timegoesbyin.wordpress.com/tag/i-wanted-to-be-japanese
The film deals with the rights of Japanese-Koreans -born in Japan but without Japanese passport or nationality- and the social rejection that they face if they don’t integrate completely, abandoning their Korean identity. The film’s main thread is the story of a Korean man, who in the times of the Japanese occupation of the Korean peninsula, is sent to Japan to fight along with the Japanese in the Philippines, but after the war and fearing discrimination, creates a Japanese identity for himself and manages to get married and have children without his family ever knowing about his origins for 50 years until he is arrested in 1985 for forging official documents and in suspicion of being a spy from North Korea. (…) © timegoesbyin.wordpress.com/tag/i-wanted-to-be-japanese
1992-06-29
5.833
Hirata Yukata became the first man in Japan to publicly acknowledge that he had contracted HIV through gay sex. Filmed over a series of months, the documentary contrasts his public life as an outspoken figure on the lecture circuit with his personal descent into illness and death.
Watch what happens when two beautiful bad girls with no option are put in a desperate situation.
Federico and Olivia are editing their first short films, which encountered mistakes during shooting. Both discover that they filmed at the same location and accidentally interfered in each other’s films. Together, they find a way to edit their two shorts into one.
Il revient enfin sur scène avec un one man show intitulé : « Bienvenue chez les Corses et bonne chance ! »… Vous l’aurez compris, l’île de beauté est le thème principal de ce spectacle. Un voyage au cœur de la Corse que Pido nous propose avec son style inimitable. Que ce soit à travers des personnages que l’on connait déjà, ou à travers des « nouveaux venus », plus fous les uns que les autres, voici un spectacle qui raconte la Corse et les Corses et qui s’adresse à tout le monde.
Dan, aged 19, leaves his home after a quarrel with his father. At the side of the country road he meets a traveling theater company who has run out of money. He falls in love with the young actress Pia and together they leave, meeting a string of peculiar characters: a vagabond, a friendly vicar and a cynical adventurer.
A tale about fantasies and pain. A character lost in a wet cloud of grass, dirty socks and giant joints.
Live On Soundstage performance was originally broadcast on the PBS Soundstage series. Songs include cuts from Jon Secada's recent tribute to Latin singer Beny More' and also Jon's classic pop hits, "Just Another Day," "Do You Believe In Us", as well as many others. With a career spanning more than two decades, three Grammy Awards, 20 million records sold, and leading roles on Broadway, Jon Secada's acclaimed romantic sound has resulted in numerous hits in English and Spanish, establishing him as one of the first bilingual artists to have international recognition in both markets.
An erotic thriller from the director of Psychopathia Sexualis, THE LITTLE DEATH offers a peek into the seedy boudoirs of a Victorian-era brothel, where a strong-willed reformer (Courtney Patterson) and a corrupter of innocence battle over the fate of a young woman (Christie Vozniak) who seems to be held there in sexual captivity. While the owner attempts to mesmerize and seduce the would-be rescuer, a meek student (Clifton Guterman) wanders into the house and becomes a tragic pawn in the psychological game of cat-and-mouse that is rapidly unfolding.
A young woman designer goes to London to further her career, but things are complicated when her invention is a success.
A girl needs her brother to fulfill an odd request, a good trip turns bad, a CEO gets invited to a mysterious party, and it all centers around the iconic red crustacean.
A film adaptation of Selma Lagerlöf's classic book about Nils Holgersson, who is a real rascal. As punishment for his mischief, a house elf shrinks him to his size. The farm animals are out for revenge and so Nils must escape on the back of a goose from Skåne in the south to Lapland in the north. During his flight over Sweden, Nils gets to take part in many adventures.
Two brothers seek revenge on the yakuza responsible for the death of their father.
Unni and his friends move to the 6th grade after the new academic year begins. He loves his school life mainly because of his crush Riya and feels threatened by the newcomer in his class - Roney. Soon they lock horns and are in competition.
Late at night, on the last train home, one girl's fantasy is about to become her greatest nightmare.
A blind date takes a monstrous turn as a couple meets on a cold Christmas night.
When Seattle magazine writer Samantha Hart is sent home to write an article about the wedding destination of Hawthorne Vineyards, she discovers the ex who broke her heart not only runs the vineyard, but he’s about to get married there.
Joe Chan (Julian Cheung), an Pay-TV office manager, mourns the death of wife-to-be Winnie Tsang (Loletta Lee), while a spirit causes trouble for a pair of wrongdoers set on taking over the station. A not-so-literate taxi driver Shing Wai-lin (Simon Loui) visits a tarot reader after his girlfriend leaves him. The mystic warns him that he is set to meet a strange woman and he'll be in certain danger. In a dingy flat, housing nurse Mindy (Fennie Yuen) treats triad member Ton's (David Wong) latest wounds. Her Aunt Ha (Helen Law Lan), meanwhile, senses a dark force drawn to the flat's dark hallway.
The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.
Numerous people are on subway trains running up and down the city center endlessly. There are people who run this decent space “underground”. Under the noisy world today, we approach them to see what life is like underground.
There lives a couple known as "100-year-old lovebirds". They're like fairy tale characters: the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other, wear Korean traditional clothes together, and still fall asleep hand in hand. However, death, quietly and like a thief, sits between them. This film starts from that moment, and follows the last moments of 76 years of their marriage.
In 1994 a 13-year-old boy disappeared without a trace from his home in San Antonio, Texas. Three-and-a-half years later he is found alive thousands of miles away in a village in southern Spain with a horrifying story of kidnap and torture. His family is overjoyed to bring him home. But all is not quite as it seems.
Organist Korla Pandit was an alluring enigma, a television pioneer and the godfather of exotica music. He never spoke a word on 900 episodes of his groundbreaking 1950s TV program but captured the hearts of countless Los Angeles housewives with his soulful, hypnotic gaze and theatrical performance of popular tunes and East Indian compositions on the newly developed Hammond B3 organ. In the ’90s he resurfaced as a cult figure with the tiki/lounge music aficionados and ended up immortalized in the film Ed Wood. Often pegged as a “man of mystery,” Korla lived up to that billing when he took an amazing secret with him to his grave in 1998—one that is finally revealed in KORLA.
At the turn of the 19th and 20th century Finnish philologist G. J. Ramstedt travelled around Mongolia and Central-Asia. In this documentary Ramstedt’s memoirs are heard in the modern day setting, where tradition is replaced with hunger for money, and deserts give way to cities.
A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.
They're called bar women, hostesses, or sex workers and "western princesses." They come from poor families, struggling to earn a decent wage, only to be forced into the world's oldest profession. They're the women who work in the camptowns that surround U.S. military bases in South Korea. In 40 years, over a million women have worked in Korea's military sex industry, but their existence has never been officially acknowledged by either government. In The Women Outside, a film by J.T. Orinne Takagi and Hye Jung Park, some of these women bravely speak out about their lives for the first time. The film raises provocative questions about military policy, economic survival, and the role of women in global geopolitics
Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.
In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.
Documentary directed by Tom Kleespie inspired from Korean War veterans who recall memories both painful and patriotic, putting a human face on an often forgotten conflict. Stories include wartime recollections, such as one soldier's first moments seeing a MiG fighter up close, and veterans' often-tragic experiences returning home, where Americans largely neglected to welcome them back.
The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.
Punk bands in Korea get invited to biggest hardcore punk festival in Tokyo. This movie shows how one of the loudest and most active punk bands in Asia live and deliver message very closely and pleasantly.
Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.
Jeju-do is the largest of Korean islands and lies between Korea and Japan. There, for hundreds of years, women dive without breathing apparatus, to the ocean floor and collect shellfish, octopus, and urchins that they sell. The divers are in their sixties and seventies and their daughters do not want to inherit their work, lifestyle, and health problems that go with diving. As a filmmaker I was privileged to meet many of these women and dive with them. Their stories of hardship and pride confirmed my desire to record this unique and ancient tradition.