Danish documentary that follows fishermen in Greenland, from the time when fishing got industrialized. The filmcrew also captures ships fighting the thick ice, meet some locals and some hunters. Also, look out for a 'cameo' by the legendary Danish polar explorer Knud Rasmussen, who played a big part in exploring Greenland. He died short after in 1933 from food poisoning. Produced by H.B. Film.
Danish documentary that follows fishermen in Greenland, from the time when fishing got industrialized. The filmcrew also captures ships fighting the thick ice, meet some locals and some hunters. Also, look out for a 'cameo' by the legendary Danish polar explorer Knud Rasmussen, who played a big part in exploring Greenland. He died short after in 1933 from food poisoning. Produced by H.B. Film.
1932-12-01
0
On August 3rd, 1979, a Vietnamese refugee shoots and kills a white crab fisherman at the town docks in Seadrift, TX. What began as a fishing dispute erupts in violence and ignites a resurgence of the KKK and open hostilities against the Vietnamese along the Gulf Coast. Set during the early days of Vietnamese refugee arrival, “Seadrift” examines the circumstances that led up to the shooting, its tumultuous aftermath, and the unexpected consequences that continue to reverberate today.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
One million Dutchmen (out of 16 million) play soccer. Almost two million fish at least once a year. Fishing might be the most remarkable sport in the world. The documentary V.I.S.S.E.N (FISHING) dives into the world of Dutch fish and fishermen. Above and under water, on the IJ, at the coast, on the North Sea, in the cities, in the polder and on and by lakes and rivers. The film is a personal, filmic search for the “primordial fisher” in mankind and a portrait of the Netherlands by and on the water. V.I.S.S.E.N is also about what moves the fishermen. Who are the people that fish? Is fishing a hobby, a sport, an escape or a primordial instinct one cannot repress? What goes through your mind when you fish, when you catch something, or when you do not catch anything. And: what's it like for the fish, getting hooked?
Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.
Madame Ondine performs a serpentine dance surrounded by big cats.
The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.
The official record of Mallory and Irvine's 1924 expedition. When George Mallory and Sandy Irvine attempted to reach the summit of Everest in 1924 they came closer than any previous attempt. Inspired by the work of Herbert Ponting (The Great White Silence) Captain Noel filmed in the harshest of conditions, with specially adapted equipment, to capture the drama of the fateful expedition.
Part 1 of the History of Australian Cinema series. Australian cinema from the very beginning, from the newsreels, ethnographic and actuality films, to the controversy of "The Story of the Kelly Gang" and the success of "The Sentimental Bloke".
Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.
In this color-tinted short, we first see a close-up of a red rose, perfectly formed. Then, we see the rose held by a young woman who is wearing a bright yellow dress. She's the second beauty. Behind her is a slow dissolve to the US flag, tinted in red, white, and blue, blowing in the wind. Behind the flag is a star-lit sky.
The camera scrolls through a landscape to reveal the aftermath of a huge gas explosion.
It's common knowledge that Scotsmen are macho enough to pull off wearing a skirt - perhaps it's all that caber-tossing. This disarmingly simple film concentrates on the tartan cloths of various clans rather than the men who wore them, and is an early filmic reminder of their huge importance to both Scottish national identity and the thriving tourist industry north of the border. The film's unique selling point was that pioneering filmmaker G. A. Smith showed off the vibrant designs in Kinemacolor, among the earliest colour film processes that didn't involve meticulous hand-painting. And no dangly bits in sight.
The film documents the launch of HMS Albion at Blackwall on the 21st of June, 1898—an event that was witnessed by 30,000 onlookers, 37 of whom lost their lives when the jetty upon which they were standing became washed away by the resultant swell.
The film was filmed in Bibi-Heybat, a suburb of Baku (now the capital of Azerbaijan), during a fire at the Bibi-Heybat oil field. The film was shot on 35mm film by the Lumiere brothers in 1898. On August 2 of the same year, a demonstration of Alexander Michon's program took place, which included the film "Fire at an oil fountain in Bibiheybat".
Lee Martin, one of the cowboy stars in 'Buffalo Bill's Wild West', rides a bronco as a crowd looks on. While the horse is trying to throw Martin off its back, another cowboy stands on top of a fence rail and occasionally fires his six-shooter, to spur on both horse and rider.
In the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing roundhouse blows at each other. Mike Leonard, in white trunks, is the aggressor; in black, Jack Cushing stands near the edge of the ring, warily pawing the air as Leonard comes at him. A couple of punches land, but the fighters maintain their upright postures.