Bosko and Honey go on a picnic that ends badly.
1931-05-20
5
In this first Merrie Melodie short, things are hopping at a certain Mexican café. And then Foxy walks in and the customers go really wild.
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
"Popeye" Doyle travels to Marseilles to find Alain Charnier, the drug smuggler that eluded him in New York.
Ostwind and Mika have found a real home at the farm Kaltenbach with Mika's grandmother. In the hustle of running therapy center and due to Mika's fame as a horse-whisperer, she feels that she doesn't have enough freedom and time to ride. After a serious disagreement with her grandmother, Mika secretly sets off for the night in eastern Andalusia, Spain, where she suspects Ostwind's roots are.
Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
An anonymous love letter left in Michael Ryan's locker on the last day of school wreaks havoc on his life and the lives of everyone who comes in contact with it.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.
Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.
A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.
Bosko is a construction worker who impresses Honey by making music from everything in sight, including a decapitated mouse, a typewriter and a goat filled with hot air.
The film opens with Bosko taking a bath while whistling "Singin' in the Bathtub". A series of gags allows him to play the shower spray like a harp, pull up his pants by tugging his hair, and give the limelight to the bathtub itself which stands on its hind feet to perform a dance.
Among the strategies that fail in Wile E. Coyote's attempts to catch the Roadrunner: glue on the road, a giant rubber band, an outboard motor in a wash tub, and dressing in drag as a female Roadrunner.
A streetcar conductor, Foxy has adventures with a would-be passenger hippo, a cow blocking the tracks, and a runaway train while Foxy, his passengers, and some hobos sing the title song.
Bosko is a Mountie in the cold, snowy north. His sergeant demands that he get his man: a peg-legged villain wanted dead or alive.
Original short that introduced Bosko, never released. Producer-directors Hugh Harman and Rudolf Ising showed it to various studio executives as a pilot for the Bosko character.
A bee returns home late after a night out having too much honey. His wife leaves him, but quickly ends up in the clutches of an evil large predator.
An American Indian boy and girl sing and dance in the forest along with the animals. Trouble begins when a fire threatens baby birds in their nest.
Bosko, carrying his hobo stick, travels along the railroad tracks with his dog, Bruno. Unfortunately, they're both on the tracks as they cross a bridge and realize that a train is coming perilously near. They manage to escape via a handcar, which was waiting for them on the tracks. however, once over the bridge, Bruno gets his foot caught near the switch. Bruno escapes, but not before allowing his poor master to think he's dead. Bosko is angry at his pet, but outrage turns to fear when the sound of another train gets them both panicking again. Luckily, the "train whistle" is only the mooing of a cow. The pair's adventures continue as they try to steal a chicken for her eggs. Finally, they end up on a runaway boxcar and have a second encounter with the obnoxious cow.
A circus parade, to the title tune. Next, a series of sideshow acts: the wild boy, the rubber man, siamese twin pigs, a tattooed man, a hula-dancing hippo, an Indian snake (or goat) charmer. Into the ring, we have a hippo riding a horse (much to the horse's dismay), a high-wire act (again, to the title song), and finally a lion tamer.
The last Goopy Geer cartoon. The king returns to his castle, and asks where the queen is; she's in the parlor, and won't be seen, according to the title song. He goes to his throne and summons his jester, Goopy Geer. A black knight arrives and threatens one of the young ladies in court; Goopy Geer fights him off, first with an ax, then in armor from kitchen utensils, then butting him with a mounted animal head, which makes the knight's armor fall apart. He pulls it together again and runs away.
Bosko and Honey go to the zoo. Honey is frightened by the lion, but Bosko is the one who ends up in danger.
Bosko and his friends are cutting down trees in a forest. He battles a burly woodsman named Pierre who has gone off and kidnapped his beloved Honey.
An expectant father rooster fetches doctor stork, who comes out with a basket full of white chicks and one little black one, who gets crowded out of the food. After singing the title song, he manages to improvise a pair of wings and fly over the chicken coop, but regrets it when he is chased by a mean scarecrow.
On a tropical island, a native boy sings "Pagan Moon" to his sweetheart. Later, he plays music underwater with an octopus-pianist and other jazz-loving sea life.
Bosko is shipwrecked on an island where he is chased by a lion and pursued by simian cannibals.
Bosko is a soda jerk, who gives poor service to a mouse and to his former schoolteacher. Later, he must contend with Honey's bratty Wilbur.
The old toymaker goes to sleep, and his toys immediately come to life and sing "Red-Headed Baby." A red-haired baby doll begins the song. She's soon joined by her sweetheart, a toy soldier named Napoleon. A spider briefly spoils the fun when he descends upon the toys and grabs the doll. It's up to Napoleon to save her.
Piggy and Fluffy, which is the ripoff of Mickey and Minnie, have adventures on a riverboat and Uncle Tom is chased by skeletons promising to take him to Hallelujah Land. One of the "Censored Eleven" banned from TV syndication by United Artists in 1968 for racist stereotyping.