Match Made(2006)

Daughters' Destiny(en)

Nepalese women are telling their stories arranged marriages. In the jungle of western Nepal lives Fofo, who is married off at the age of 10 to a man of 20. When Thuli becomes a widow after 10 childbirths she is mocked at by both neighbours and relatives. Savitri did not even know the name of the groom she was marrying and she was not even allowed to see him during the wedding ceremony. Nepalese law does not allow child marriage but the law does not reach girls who have never been to school and are living in areas with no roads. This film shows some of the reasons behind the 40 % guerrilla women in the Nepalese Maoist army.

The Fog of War(en)

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Blood Road(en)

Blood Road follows the journey of ultra-endurance mountain bike athlete Rebecca Rusch and her Vietnamese riding partner, Huyen Nguyen, as they pedal 1,200 miles along the infamous Ho Chi Minh Trail through the dense jungles of Vietnam, Laos, and Cambodia. Their goal: to reach the site where Rebecca’s father, a U.S. Air Force pilot, was shot down in Laos more than 40 years earlier.

Hearts and Minds(en)

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

The Dumpling Vendor(en)

To provide for his young family, a food vendor searches for customers in the ancient city of Hue from sunset until the early morning. An insight into the the life of a banh bao vendor. Hoa, 42; a farmer by day who has been selling banh bao on Hue’s streets for 12 years. Hoa cycles from his country home to Hue every afternoon to sell a barrel load of the Vietnamese dumplings and provide for his young family.

Love Me(en)

Western men and Ukrainian women embark on an unpredictable and riveting journey in search of love through the modern "mail-order bride" industry.

Little Dieter Needs to Fly(en)

Three decades after German-American pilot Dieter Dengler was shot down over Laos, he returns to the places where he was held prisoner during the early years of the Vietnam War. Accompanied by director Werner Herzog, Dengler describes in unusually candid detail his captivity, the friendships he made, and his daring escape. Not willing to stop there, Herzog even persuades his subject to re-enact certain tortures, with the help of some willing local villagers.

Return with Honor(en)

The story of U.S. fighter pilots shot down over North Vietnam who became POWs for up to 8 and a half years.

100(de)

Push-ups to the rhythm of a metronome, a meter counting backward from 100; three words are shouted time and again: “dog – pig – monkey”.

Hair, Paper, Water...(vi)

She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.

Le Lotus dans tous ses états(fr)

The Empathizer(en)

Standup comedian Fred Le hears the stories of a diverse range of young overseas-born Vietnamese who made their way back to the land that their parents left following the end of the Vietnam War. The Empathizer explores identity and the impact of trauma among Việt Kiều who grew up a generation removed from tragic events of the past.

Regret to Inform(en)

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

A Crack in the Mountain(en)

Deep in the jungle of Central Vietnam, lies a magnificent underground kingdom. Hang Son Doong which translates as “mountain river cave”, is the largest cave passage in the world and a place of spectacular beauty. With more people having climbed Everest than visited Son Doong, its pristine charm has remained undisturbed for millions of years. In 2014, Son Doong’s future was thrown into doubt when plans were announced to build a cable car into the cave. With many arguing that this would destroy its delicate eco-system and the local community divided over the benefits this development would bring, the film follows those caught up in the unfolding events. Beautifully shot and scored, “A Crack In The Mountain” is a powerful exposé about how both good and bad intentions can ultimately lead to one of the world’s greatest natural wonders being trampled for money. As well as inspire those who care about our natural heritage to fight to protect it.

The Lies That Led America To War In Vietnam(en)

America's involvement in the Vietnam War dramatically intensified in 1964 after the Tonkin Gulf incident, an incident in which the blame falls squarely on the Johnson administration. What would follow would be a series of misinformation and outright lies from the government to mislead the American public into supporting a war that would become increasingly harder to justify.

Rio Corgo(pt)

Silva, an old drifter, arrives at a small and isolated Portuguese village where he meets the young Ana. They develop a relation in between friendship and initiation. Fascinated by that wondrous man, Ana progressively falls into his universe. A life populated by supernatural figures including her long lost friend Carolina. But strange fits weaken Silva, bringing him to the hospital, where a dozen women start inhabiting him. Will they save him?

Saigon on Wax(en)

“Saigon on Wax" is a vibrant and engaging community documentary that pulls back the curtain on Saigon's burgeoning and often overlooked vinyl culture. Moving beyond the city's well-known culinary and shopping attractions, the film delves into a passionate community of collectors, musicians, DJs, and record store owners who are shaping a unique sonic landscape. The film incorporates rich archival photos and videos, breathing life into the history of vinyl in Saigon while also showcasing its dynamic present.

Nearly Really Me(en)

Nearly Really Me follows the story of Karla, a 35 year old professional who knows her life is fine, and yet feels that fine isn't good enough, she wants to feel alive. Trouble is, she has no real idea how to go about it. So she outsources her existential crisis to an internationally respected medium for direction and soon finds herself embarking on a trip to Vietnam for their 5 day spiritual conference, where participants gain knowledge, wisdom and insights delivered unlike any other in the world.

Tell Me Lies(en)

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

We Were the Scenery(vi)

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”