Above Above, Below Below(2024)

15 x 15 x 5 (minisalon 1984)(sk)

The New York Graffiti Experience(en)

Documentary on New York Graffiti featuring art by Cliff, Phase 2, Comet, Blade, IN, Billy167, LSD OM, Ajax , Dean, Mico, Checker 170, Skylark

Pictura(en)

A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.

Constable: A Country Rebel(en)

The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.

Metamorphose: M.C. Escher, 1898-1972(en)

A documentary about the life and works of the artist M. C. Escher. Maurits Cornelis Escher (1898-1972) usually referred to as M. C. Escher, was a Dutch graphic artist. He is known for his often mathematically inspired woodcuts, lithographs, and mezzotints. These feature impossible constructions, explorations of infinity, architecture, and tessellations.

Coalesce: A City Composed(en)

A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.

Tricicle: un último gesto(es)

Presenter and comedian Andreu Buenafuente interviews Joan Gràcia, Paco Mir and Carles Sans moments after the conclusion of their last performance at the Liceu Theater in Barcelona, the culmination of their forty-three-year career on stages all over the world as Tricicle, a brilliant, ineffable, unforgettable, irreplaceable comedy trio.

Konrad Mägi(en)

A documentary made for Konrad Mägi exhibition "The Light of the North" in Torino, Musei Reali (2019-2020), about Mägi's life and his legacy.

Ningwasum(ne)

Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.

Like a Butterfly(pt)

Maria José's life story reveals not only the harsh reality she and her family faced, but also a portrait of the real Brazil. Like a butterfly that is born crawling, she finds her beauty where it is not convenient to be found and sets her flight free to the sky.

Ama Como a Estrada Começa(en)

The life and work of painter Mário Cesariny de Vasconcelos (1923-2006), one of the most important artists of the portuguese surrealist movement, both in literature and the visual arts. Includes statements from the artist, his friends, and scholars of his artistic oeuvre. A documentary originally exhibited on the day of his death at the age of 83.

David Hockney at the Royal Academy of Arts(en)

Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide. Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness. Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London. Director Phil Grabsky secured privileged access to craft this cinematic celebration of a 21st century master of creativity.

Cézanne: Portraits of a Life(en)

Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington. One cannot appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Filmed at the National Portrait Gallery in London, with additional interviews from experts and curators from MoMA in New York, National Gallery of Art in Washington DC, and Musée d’Orsay in Paris, and correspondence from the artist himself, the film takes audiences to the places Cézanne lived and worked and sheds light on an artist who is perhaps one of the least known and yet most important of all the Impressionists.

Inn Signs Through the Ages(en)

Fred Taylor displays a number of items from the Building Centre's 'Inn Sign Exhibition' held in November 1936. Some signs in the exhibition date back to the reign of Charles II, while others are more contemporary.

Back To Africa(en)

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

The Corporation(en)

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Capturing Memories(en)

Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" is a dive into the essence of the inconsistent, an invitation to reflect on the importance of preserving moments before they are lost in oblivion. Through visual fragments, the documentary reveals how small scenes of everyday life carry echoes of the past and seeds of the future. In a world where everything passes, what really remains? This film is a tribute to the art of immortalizing the moment, to the beauty of seeing beyond the present and to the need to give meaning to what may one day become a memory.

Highway to the Arctic(de)

Every winter for decades, the Northwest Territories, in the Canadian Far North, changes its face. While the landscape is covered with snow and lakes of a thick layer of ice, blocking land transport, ice roads are converted to frozen expanses as far as the eye can see.

Herr och Fru Konst(sv)

"Mr and Mrs Art" - Getting attention is like being struck by the light of the sun, says artist Karin "Mamma" Anderson. If you are lucky you are hit by its rays for a short while during a lifetime, but the light is transient. Artists Karin "Mamma" Andersson and Jockum Nordström bathing in the light of fame. Few other artist couples in Sweden can compete with them in terms of attention and success. They exhibit at all the major galleries and fairs around the world, win prizes and are constantly in demand. Filmmaker Bengt Bok has followed the couple from studio to venue and talked about the conditions of creation and the sweetness and the taste of blood in fame and being famous.

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’