Former governor Arthur A. Link has become virtually a mythic figure in the North Dakota consciousness. Art Link was governor of North Dakota during the first great energy crisis in the 1970s. On October 11, 1973, Governor Link delivered what is widely regarded as North Dakota's "Gettysburg address". His credo, written in the margins of his prepared speech moments before he was introduced, is known by its opening phrase: "When the landscape is quiet again." This is the story of that man, that speech, and the landscape that inspired it.

Former governor Arthur A. Link has become virtually a mythic figure in the North Dakota consciousness. Art Link was governor of North Dakota during the first great energy crisis in the 1970s. On October 11, 1973, Governor Link delivered what is widely regarded as North Dakota's "Gettysburg address". His credo, written in the margins of his prepared speech moments before he was introduced, is known by its opening phrase: "When the landscape is quiet again." This is the story of that man, that speech, and the landscape that inspired it.
2008-09-25
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The Legacy of Art Link
7.8Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."
6.2The camera falls in love with the characters, the landscape and the objects and is installed with the tenderness that inoculates the life of the town itself. The camera is the thousand eyes of the gaze of a rigorous anthropologist, although in love, multiplying so as not to lose detail in 24 hours of people, activity, games, intimacy ... Recording every sound that pierces the oceanic silence of the countryside open.And night comes. And the gazpacho. And the party. You see.
6.5A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
7.0In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”
0.0This documentary film follows farmers and activists fighting together to stop the Indiana Enterprise Center, a mega-sized industrial park planned west of South Bend, Indiana
7.5For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
0.0A look back at the murders of Barbara and Gordon Erickstad, who were brutally killed in their North Dakota home by their son, 18-year-old Brian Erickstad, and his friend, 27-year-old Robert Lawrence in September 1998.
6.6In September 2012, the tiny prairie town of Leith, North Dakota, sees its population of 24 grow by one. As the new resident's behavior becomes more threatening, tensions soar, and the residents desperately look for ways to expel their unwanted neighbor.
Together, the three Bertrand brothers work their farm in a small Savoyard village. In 1972, they took the enormous risk to invest in the construction of an ultra modern stable for 82 milk cows. With modern organisation, they hoped to lead a better life. Almost 30 years later, the farm is successful. Their work is meticulous and the milk is graded top quality. The human cost is much more sombre. Indeed these thirty years can be summarised in one word : work. The brothers are bachelors and – each one now over sixty years old – a bitterness when they recall their past. The younger brother says it himself: "It's an economic success, but it's a human failure...".
0.0In Canada, the village of Val Gagné is facing a rural exodus. Life seems to be dissolving, the future is uncertain. But these Franco-Ontarian villagers are surprised by a wind of renewal. A wind that will give them hope.
After eighteen years of operating the favourite lunch counter in Manitoba's Interlake region, Ellen and Martin Kihn have retired. A poignant look at the last day, The Kihns, their friends and their customers, demanding rural life and the place the disappearing institution of the country cafe plays in these people's lives. A tribute to the cafes found in small towns.
7.5The first of a documentary serie about rural France.
7.2Second documentary of a trilogy produced on the long term (together with Profils paysans: l'approche (2001) and Profils paysans: La vie moderne (2008)), showing the simple lives of farmers in contemporary Southern France.
0.0Titou will soon be forty. He lives high up in a sheep shed in the Corbières mountains. With Soledad, who lives in a nearby caravan, they make their own wine, compose their music, live their love in step with the seasons – much as you might cultivate resistance.
7.7Through the figure of Lakota activist and community organizer Madonna Thunder Hawk, this inspiring film traces the untold story of countless Native American women struggling for their people's civil rights. Spanning several decades, Christina D. King and Elizabeth A. Castle's documentary charts Thunder Hawk's lifelong commitment, from her early involvement in the American Indian Movement (AIM), to her pivotal role in the founding of Women of All Red Nations, to her heartening presence at Standing Rock alongside thousands protesting the Dakota Access Pipeline. She passed her dedication and hunger for change to her daughter Marcy, even if that often meant feeling like comrades-in-arms more than mother and child. Through rare archival material—including amazing footage of AIM's occupation of Wounded Knee—and an Indigenous style of circular storytelling, Warrior Women rekindles the memories and legacy of the Red Power movement's matriarchs.
0.0Ten-year-old Sébastiana recounts the history and legends and explains the local customs of Andahuaylillas, Peru, a small village located high in the Andes. Their simpler way of life has persisted for over three centuries, undisturbed by modern society's technology and materialism.
8.0In July 2020, Rob Bliss, a young, white filmmaker, posted a video of what happened when he held up a ‘Black Lives Matter’ sign in Harrison, Arkansas, 'the most racist town in America'. It went viral, attracting 12 million views. What Bliss did next was remarkable. Over 1500 miles, two months and 25 miles a day, he set out to walk through the American South, wearing a Black Lives Matter t-shirt, and a sign that invited people to ‘come walk with me’. His goal was simple: to take the conversation Floyd’s murder had sparked about racism in American society into the places where it was most needed, yet most silent.
In the 1920s, Angela Murray Gibson chose an unusual location to embark on a career in silent filmmaking: her tiny hometown of Casselton, North Dakota. She had previously helped Mary Pickford as an advisor and assistant director on The Pride of the Clan (1917), which Mary Pickford produced and starred in. She opened North Dakota's first movie studio, and she had the audacity to be a woman in an industry dominated by men.