Though I'm His Daughter(2025)

A(ja)

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Aganai: Me and the Cult Leader - A Modern Report on the Banality of Evil(ja)

Atsushi Sakahara, a victim of the 1995 sarin gas attack in Tokyo's subway system, travels with Hiroshi Araki, an executive of Aleph (formerly Aum Shinrikyo), the attack's perpetrators, visiting their respective hometowns and the university they both attended. Conversations unfold, building intimacy: we learn why Araki joined the infamous organization led by Shoko Asahara and why, still, Araki remains an executive member of the cult, even though he was not directly involved in any of the crimes.The beginning of a friendship, a trip for redemption, or the confirmation that each human has to go their own way.

A2(ja)

A2 is a continuation of director Tatsuya Mori's film A (1998), an incredible view inside the compound of Japan's Aum Shinrikyo cult after its leaders carried out the deadly sarin gas attacks on the Tokyo subway in 1995. Most followers had no idea that the attacks were being planned, or even that their new religion had violent aspirations. After the attacks, these followers were left to rebuild the religion where they had once found peace in the face of overwhelming, and understandable, condemnation from the rest of Japan. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

The Immediate Present with Alex Katz(en)

Filmed at his Maine studio nestled in New England’s scenic landscapes, legendary artist Alex Katz reflects on his relationship to light and the sensations that his painting evokes.

Afghánistán bez obalu(cs)

A Significant Name(en)

“A Significant Name” tells the story of Banban’s Chinese name. Born in Texas to Taiwanese immigrant parents, Banban was given an identifiable female American name - now their dead name - as a way to assimilate into western culture. But as their sense of who they are evolves, so does their name.

Abiturienti(cs)

Haunted: Indiana State Sanatorium(en)

Three paranormal investigators enter what is said to be the most haunted location in the Midwest. Over the last 100 years, the property has housed thousands of deaths, murder, suicide, and countless acts of foul play.

1966: Who Stole The World Cup?(en)

From South London spivs to the upper reaches of the 1960s society, this extraordinary true story reveals who stole the World Cup trophy in the lead-up to England's triumph in 1966.

Lebende Photographien auf einem laufenden Bande(de)

Documentary about the film pioneer Guido Seeber.

Risky Roadz: 0121(en)

After a ten year sabbatical, legendary Grime filmmaker; Roony 'Risky Roadz' Keefe, makes a return to the world of documentary to uncover the business infrastructure of the fast emerging music scene in Birmingham, and, how that is being taken to a global platform.

Hitlers Traum von Micky Maus - Zeichentrick unterm Hakenkreuz(de)

The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.

Classe moyenne, les révoltés(fr)

Vanessa, Pierre, and Anne-Lise belong to the lower middle class. In 2018, they joined the "yellow vest" movement and became friends at the roundabouts. They share with us their hopes, fears, and desire to transform society.

Last Summer In Sneinton(en)

Following a day in the life of Sneinton Market in Nottingham prior to a planned redevelopment.

Sommer '39(de)

In the summer of 1939, people enjoyed the good weather, ignoring politics and pessimistic predictions. Images of everyday life that was about to change dramatically in a Europe in turmoil.

La métaphysique du berger(fr)

The Making of the Lion King(en)

A behind-the-scenes look at the making of The Lion King.

Qui êtes-vous Dorothée Blanck ?(fr)

A film about Dorothée Blanck.

The Intensive Life Unit(cs)

Even though doctors Ondřej and Kateřina look after their patients to the best of their ability, they can’t prevent their death. As heads of palliative care at Prague’s General University Hospital they face the inevitability of the end on a daily basis. Yet what perhaps makes their job harder is the myriad options now open to them to prolong human life – and this at a time when death has become a social taboo. Betraying her special brand of empathy, documentarist Adéla Komrzý demonstrates that, while there’s no good or bad way to die, there’s always a means to improve patients’ quality of life.

The Count(en)

A personal deconstruction of the true crime genre, focusing on the figure of a relative of the director: a notorious Swedish criminal nicknamed “the Count.” As it recounts the life story of this three-times suspect of murder, the film challenges the seemingly unquenchable thirst for stories about violence. A thrilling, topical, and political documentary made to dispute the viewers’ need and wants for this type of true stories – a true Nordic noir, the first of its kind.