Voices from the South(NaN)

Las Preguntas que Perdimos(es)

2 or 3 Things I Know About Him(de)

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Plaasmoorde: The Killing Fields(en)

Included in this groundbreaking work are interviews with active farm attackers and serving police officers who confirm corrupt police are complicit in the mass‐slaughter of South Africa’s whites. Their truths are horrifying—a man and woman branded with hot irons and left to die. A husband killed in front of his wife and children. An elderly woman raped, another with half her face blown off from a shotgun. And they all share a common thread: revenge. This is a disturbing documentary—it wrought both an emotional and physical toll on all involved. What’s more, Katie was detained at the airport in South Africa on the orders of the African National Congress (ANC) for her work on this project because Plaasmoorde is the story—the truth—they don’t want you to see. We owe it to the victims—to our fellow man—to listen and to open our eyes to the truth.

ZEF - The Story of Die Antwoord(en)

South African producer / director JON DAY spent the last 5 years making a documentary about the mysterious rap-rave group, DIE ANTWOORD. Art directed by surrealist photographer, ROGER BALLEN. Narrated by NINJA & ¥O-LANDI'S daughter, 16 JONES.

Soms. Elles i Beget(ca)

Milisuthando(en)

Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn't know it was happening until it was over.

Life in Progress(en)

The Illness and Recovery of Buda Brakus(sh)

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.

Grandma in Two Dimensions: Memories, Images and Stories of Faith(pt)

A young anthropologist reflects on her late grandmother's religious background.

Seems Like Only Yesterday(en)

Interviews with a dozen California centenarians against a montage of present day media reportage.

How To Smell A Rose: A Visit with Ricky Leacock at his Farm in Normandy(en)

In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.

The Mango(km)

A village in Cambodia. Bopha raises her son Sokhem alone. One night, guided by a strange voice, he sets off in pursuit of a magic mango. Bopha follows him and reaches the border between the world of the living and the dead. Memories of war and oppression resurface. Bopha then reveals his heavy secret.

The Giant is Falling(en)

The film documents the key political issues in recent years in South Africa that have marked the demise of the African National Congress (ANC). These include the Marikana massacre in August 2012, whereby 34 striking miners were gunned down by the ANC government's police force. Rehad Desai documented this historic event in his 2013 film MINERS SHOT DOWN. He refers to the incident once again in his latest film and shows how the ANC is undermining its close connections to the trade unions it set up as a freedom movement under Nelson Mandela, and how students have also turned on the party to protest against tuition fees under the motto #FeesMustFall. The film's compelling footage unmasks the cynical despotism of corrupt president Jacob Zuma, who is chiefly responsible for the ANC's demise and its catastrophic losses at the most recent elections. It also introduces opposition movements that are challenging his now-untenable position.

Labirint(xx)

Two halves split by the perseverance of a scorpion. Come on, feet.

A.WAY(nl)

"A.WAY" is a journey into lost memories of youth, purely constructed with archive material. A nostalgic reverie that transitions into a feeling of melancholy and unease. The beauty of life and the fear of death as a universal sentiment.

Milen(bg)

The documentary film follows the life and career of Milen Tsvetkov against the backdrop of historical events in Bulgaria that have transformed journalism and the media market in the country since 1989.

Grandmother Told Grandmother(en)

The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.

Amandla! A Revolution in Four-Part Harmony(en)

The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge. This documentary by Lee Hirsch recounts a fascinating and little-known part of South Africa's political history through archival footage, interviews and, of course, several mesmerizing musical performances.

Future Sounds of Mzansi(en)

‘Future Sounds of Mzansi’ is a documentary, which aims to explore, express, and interrogate South Africa’s cultural landscape. A chief vehicle of this exploration is electronic music, a staple of South African popular culture. The film explores the past, present and future of the scene and its multiple sub-genres, presented through the eyes of internationally acclaimed artist Spoek Mathambo.

Addicted to Solitude(en)

I traveled to South Africa to find a white family living on a desolate farm. I wanted to film how they faced the new days of equality after the fall of Apartheid. But I soon lost my way both on the endless roads and in my way. Instead, the film became a story about two very different women who both experienced a tragic loss in the midst of a white community not too fond of the future.