The Coldspring Project(1974)

Postmodernism: The Substance of Style(en)

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

Frei Otto: Spanning the Future(en)

The life and works of Frei Otto told in his own words and by those he inspired. An in-depth look at the rise of lightweight architecture, form finding, and its continued relevance for the future of architecture.

Zaha Hadid... Who Dares Wins(en)

Alan Yentob profiles the most successful female architect there has ever been, the late Zaha Hadid, who designed buildings around the globe from Austria to Azerbaijan.

Kisho Kurokawa From Metabolism to Symbiosis(en)

A portrait of the internationally acclaimed Japanese architect who employs Buddhist ideas and western modernism to achieve intercultural architecture.

Bamboo Theatre(cn)

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

When Brazil Was Modern(pt)

Brazilian architecture in the 20th century influenced generations of architects worldwide. But there was a time when choosing an architectural style also meant choosing a vision for the country, amidst political power struggles.

The Uptown(en)

A vacant theater still has “screenings” of its own: apparitions that come to life on a curved screen without anyone to see them, creating spectacular scenes without any projectors at all.

Ralph Erskine(en)

The British architect based in Stockholm looks back on major projects of a long career inspired by European Modernism combined with his personal sensitivity to nature and community. Erskine is especially valued for his vital understanding of social interaction, exemplified in commissions for universities and housing complexes built from Scandinavia to Italy. The architect takes the camera on a tour of his buildings while offering revealing comments and interpretations.

Kamenná sláva(cs)

Du béton sur nos courgettes(fr)

Île de la Réunion - L'incroyable route qui défie l'Océan(fr)

Simetrias(pt)

Brisa Solar(pt)

Mozambique 1974 - the European name of the capital Lourenço Marques was deleted and replaced by Maputo. Between the delicacy and the apocalyptic, Brisa Solar reveals the little secrets of an African city that was born from a modernist dream, which led a revolution and which today sees its cultural heritage and threatened by Chinese capitalism.

Kevin Roche – The Quiet Architect(en)

Kevin Roche: The Quiet Architect is a feature documentary film that considers many of the key architectural questions through the 70 year career of Pritzker Prize winning Irish-American architect Kevin Roche, including the relationship between architects and the public they serve. Still working at age 94, Kevin Roche is an enigma, a man with no interest in fame who refuses retirement and continually looks to the future regardless of age. Roche's architectural philosophy is that 'the responsibility of the modern architect is to create a community for a modern society' and has emphasised the importance for peoples well-being to bring nature into the buildings they inhabit. We consider the application of this philosophy in acclaimed buildings such as the Ford Foundation, Oakland Museum and at New York's Metropolitan Museum of Art for whom Kevin Roche was their principal architect for over 40 years.

Building a Dream: The Moorhead Stave Church(en)

The Hopperstad stave church is a marvelous, iconic architectural statement from the fjords of Norway. Replicating the "stavkirke's" spiritual power and beauty became a quest for G.D. "Guy" Paulson of Fargo, ND. His Hopperstad Stave Church Replica is a jewel for the city of Moorhead, MN. Paulson's dream captured the imaginations of the experts, craftsmen, artists, and volunteers who helped him. It is a tribute to those who have gone before and an inspiration to those yet to come.

Antonio Gaudí(ja)

Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.

Paradise Circus(en)

Mothers, architects, artists, shoppers and other women who live and work in Birmingham explore the contradictions of the city, its promises, frustrations and disappointments, and suggest that listening to the experiences of women may hold the answer to the impoverished 'concrete jungle' so familiar today.

Benny och kulturhuset(sv)

A portrait of Benny Fredriksson who for 16 years was CEO of Kulturhuset / Stadsteatern. He also had a background as an actor and director. In connection with a media hunt he resigned and later took his own life.

The End Of The Line: Rochester's Subway(en)

"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.

The Hedge Theater(en)

Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.