“Bald Women” delves into the life of women with alopecia who fight for the normalization and visibility of their bodies. Living in a society in which women are slaves of their own image, their viewpoint is found as a unique cry of self-development, revindication and freedom. After being hidden and forbidden during history, their existence will be an example for every woman.
Júlia Vincent
Sandra Tomás
Jihane Benassar
Núria Garriga
Clàudia Barbancho
Idoia Bilbao
“Bald Women” delves into the life of women with alopecia who fight for the normalization and visibility of their bodies. Living in a society in which women are slaves of their own image, their viewpoint is found as a unique cry of self-development, revindication and freedom. After being hidden and forbidden during history, their existence will be an example for every woman.
2025-03-07
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They take over on the fields of sport and show business. For a few years, bald people took a sensational revenge. But they had to impose themselves as they usually are targets of jokes in popular culture. For now, they show their baldness in broad daylight, or simply are comfortable with their difference. An intimate revolution, related by those who lived it.
Farewell braids, curls and other haircuts! Their time is now over. Director Christina Höglund lost all her hair within three months.
At a party, someone goes insane and murders three women. Falsely accused of the brutal killings, Jerry is on the run. More bizarre homicides continue with alarming frequency all over town. Trying to clear his name, Jerry discovers the shocking truth...people are losing their hair and turning into violent psychopaths and the connection may be some LSD all the murderers took a decade before.
Juanjo (Antonio Pagudo) is a forty-year-old man who, despite not having low self-esteem due to his baldness, his wife, Inma (Eva Ugarte), obsessed with image and aesthetics, is in charge of making him complex about it. On the other hand, his friend Sebas (Carlos Librado "Nene") is affected by his lack of hair and is willing to do whatever it takes to regain his younger version, something that affects his ex-wife, Sofía (Amaia Salamanca) , and their daughters. Ready for anything, both get into a little trouble to get the money to allow them to travel to Turkey and have a hair transplant. In Istanbul they meet Rayco (Tomy Aguilera), a young reggaeton singer who is having great success, but after discovering his alopecia at a concert, he needs an urgent hair transplant. In this way, the three of them will try to seek happiness through aesthetics, but perhaps they will discover that there is something far beyond the physical.
Gus is a fat cartoonist that recently won a battle against cancer, which explains his baldness. But he is also lonely. Therefore, his caring sister tries to set him up with suitable woman. But to do so, she must turn him into an irresistible man. When he falls in love with Emily, Gus takes the identity of a mysterious biker from New Zealand.
In this funny and inventive animation, Paul Cabon shows us that you can come to terms with going bald, but that you don’t have to like it.
When premature baldness becomes apparent, Daitary's confidence is greatly affected, as his life was always identified by his voluminous hair. He ultimately finds a way of coping by inspiring other bald men to live happily.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"
A production of Roar (1981) had special demands on both cast and crew. Learn about this incredible film and about the amazing people who made ROAR possible.
Greg James and Russell Kane present a look at all the ingredients needed to become a Eurovision winner, celebrating the UK's successes and also its hall of shame.
The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.
Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').
Angela Rippon presents a guide to some of the Eurovision Song Contest's most disastrous moments. Including the kiss that ruined the chances of Danish singer Birthe Wilke.
Stray Kids 2nd World Tour ‘MANIAC’! Are you ready to join the grand beginning of Stray Kids’ new world tour that will captivate STAY all around the world? Stray Kids will be showcasing their upgraded performances for global fans for the first time in 2 years and 5 months!
This is a tale of true determination that took Kalvin Phillips from a working-class estate in Leeds, to the pinnacle of his profession. In 2022, he made the challenging decision to leave his beloved Leeds United and join Manchester City. As he faced the pressures of adjusting to a new team he sustained a serious injury, threatening his inclusion in both Man City and the England World Cup squad