Basin of Souls(2024)

25 Anos de Censurados(en)

Documentary on the 25 years of the extinct Portuguese Punk Rock band Censurados.

In the Interstices of Reality or The Cinema of António de Macedo(pt)

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

The State I Am In(de)

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

Cockles and Muscles(fr)

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

A Haunting of Past Ink(en)

A person receives old entries from their diary, unsure of who is sending them. They eventually arrive at a moment of transcendence.

Kunta(pt)

One night, the phone rings in a traditional Portuguese snack bar from the country side. The Spanish Civil Guard is looking for Kunta. He isn't there and till he arrives people speculate about those phone calls and about who is that man. His he a thief? A terrorist?

Berlin Babylon(de)

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Hospedaria(pt)

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

1st Time 16mm(pt)

Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.

Immensity(en)

A look at the evolution of life and finding our purpose.

What We Never Forget For Peace Here Now(en)

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.

PRÓXIMO!(pt)

Cla'am(en)

A dark, surreal comedy about a local man who becomes convinced that a vast conspiracy is behind the impossibly rapid gentrification in his London area. But is it all in his head, or is the truth even darker than he imagines? Cla'am is the debut short from Nathaniel Martello-White, one of the UK's leading young playwrights.

Heaven Above Rowen(en)

The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.

Processing...(en)

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

HRV(es)

Oxymoron Life...(pt)

The wanderer Rascal embarks on a psychotic and contradictory journey to break out of the ego bubble in which his self-loathing and isolation have inserted him in. After his metamorphosis, his soulmate, Paloma, makes him realize that life is as complicated as it is simple - and that all that's left to do is to live.

Depois dos Gigantes de Ferro(pt)

El Editor Versión Final(es)

Marcos, an independent film and video editor, works editing late into the night. On a typical night at work, he has a seizure that causes him to lose consciousness. Upon waking up, he discovers that his way of perceiving life has changed in such a way that he now lives everything and sees it in the same way as a cinematographic montage.

Darling, Mister Graphophone(en)

A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.