Two former lovers revisit their past in the vibrant lights and music of Tallinn’s bars. As night slowly turns into dawn, they try to figure out whether something new can be born out of nostalgia.
Two former lovers revisit their past in the vibrant lights and music of Tallinn’s bars. As night slowly turns into dawn, they try to figure out whether something new can be born out of nostalgia.
2024-11-12
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On the wake of tragedy, two siblings must navigate through a three-day odyssey across the desert towards the nearest city.
Emily has just been dumped by her girlfriend, kicked out of her apartment, and fired from her job. Her best friend hooks her up with a new gig: personal assistant to a dominatrix. But when Emily falls for her new boss -- and her new boss's boyfriend -- she must decide what risks are worth taking for love. 2 in the Bush is an unconventional romantic comedy about dungeons, a fish named Archimedes, and the many forms that love takes.
A brother and a sister are trapped in a chaotic and emotional moment in their life. Through a series of violent acts, they do whatever they can to forget what really hurts inside.
When Jaime, a gay teenager, is sent to live in a community of Jehovah's Witnesses in small-town Quebec, she falls madly in love with a devout Witness girl. The two embark on an intense affair with consequences that will reshape the rest of their lives.
Harems is a love story between a screen-writer and a gogo-boy, the latter being typically representative of the image of seduction in the 80's. The screenwriter leaves on a journey and asks the gogo-boy to accompany him. A scandal breaks out and the gogo-boy's antics lead to both men's meeting with the narrator. She introduces the spectator to the psychological state of the screen-writer - who is in the process of inventing a mythic character based on his lover - and befriends and helps the gogo-boy in his quest for happiness. The narrator relates the story taking place between the two men and questions the relationship between fantasy and the reality of love.
Identifying himself intimately with serial killer John Wayne Gacy, the director uses the camera to take hold of the actors, constructing fantasies that lead them to believe they are the victims in a film yet to be made. The young men, aged 19 to 26, speak from the heart about love and prostitution. Their search leads us into another world. Is this the world of John Wayne Gacy?
A short video in three acts that tells the story of an encounter between three men. Possibility, certainty and reality. The place: between Montreal and the Laurentians in the autumn of 1984. The misty and damp atmosphere of late November. The narration is singed by Yves Dionne.
Lettre à un amant is the final chapter of Paradis’ video trilogy. It deals with a couple's break-up. It is both a letter and a reflection, and it concerns giving of one's self, sharing and exchanging. It is also a response to the other person's flight, the absence, the void. The images attempt to replace the fear and silence. A need sublimated in the exacerbation of pleasure conveyed by images and sounds, Lettre à un amant is a masterful conclusion to the series. At the same time, it poses several questions about the dichotomous love-image paradox present in love. This work also refers to an earlier work by Marc Paradis, La Cage, because of its erotic homosexual content and its many electronic applications. Richard Anger's original score was composed to emphasize the dramatic aspect while several processes proper to the video medium serve to peg the images in an aesthetic approach.
Javier discovers an old camera in his home's garage along with some undeveloped 8mm film reels that hide a hidden past his mother does not want to remember.
Young and full of life, Murielle has a promising future ahead of her when she meets and falls head over heels for Mounir. A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father. As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
A man and a woman exploring their organic life in exchange for their pseudo-existence in a world that never exists.
An artist dumps her longtime boyfriend, but her attempt to take a break from dating ends when she quickly finds herself in two passionate romances.
Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.
Two lovers, who are oceans apart, discover that distance can either make the heart grow fonder or render it numb with grief.
When Juliet Capulet (of Shakespearean fame) is plucked from death and turned into a vampire, she is forced to live all eternity without her sweet Romeo. Now, 800 years later, Juliet meets a young woman who captures her heart again and teaches her that love and loss are all a part of life, and that a life without love is no life at all.
Bill takes Trina into his depression camp cabin. Later, just as he finds showgirl LaRue who will support him, Trina becomes pregnant.
Àlex and Nico decide to spend their last day together in a river pool far away from their village and say goodbye to the summer they have lived.
A look at the mysterious relationship between Victorian art critic John Ruskin and his teenage bride Effie Gray.